Vashti Bunyan

Vashti Bunyan is an English singer/songwriter whose 1970 debut album Just Another Diamond Day was an overlooked gem in its time that later grew to be a defining classic of acid folk. Sluggish record sales for Just Another Diamond Day discouraged Bunyan enough to give up music entirely shortly after its release, but as the years went on, more new fans grew enamored with the album's hushed but surreal beauty. Eventually there was enough interest in Bunyan to merit a return to the studio and the stage, and she released two more albums, 2005's Lookaftering and 2014's Heartleap.

Bunyan was born in South Tyneside in 1945 and she first took up the guitar while a student at the Ruskin School of Fine Art and Drawing. She was ultimately expelled at age 18 for spending too much time writing songs and not enough time painting. A bit of a free spirit even then, she took a trip to New York and, while there, fell under the spell of <a href="spotify:artist:74ASZWbe4lXaubB36ztrGX">Bob Dylan</a>'s music, especially his album The Freewheelin' Bob Dylan. Once back in London, Bunyan was committed to a career in music, and through theatrical agent Monte Mackay she soon met <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">Rolling Stones</a> manager/producer <a href="spotify:artist:7osQlIEugmCDo8AXAyzlqq">Andrew Loog Oldham</a>. In his recollections in 2007, he saw and heard in her the equivalent of <a href="spotify:artist:7j237zyOedtfrugnWFJKOJ">Juliette Gréco</a>, <a href="spotify:artist:37ZQmqZrhmCCZebZF3Cvwx">Marie Laforet</a>, and <a href="spotify:artist:7x3f7c0fBanNlQwpx1255g">Françoise Hardy</a>, except that she was English -- he signed her to <a href="spotify:search:label%3A%22Decca+Records%22">Decca Records</a> and for her debut single brought her the <a href="spotify:artist:3d2pb1dHTm8b61zAGVUVvO">Mick Jagger</a>/<a href="spotify:artist:08avsqaGIlK2x3i2Cu7rKH">Keith Richards</a>-penned "Some Things Just Stick in Your Mind." The record earned little attention, and Bunyan moved to <a href="spotify:search:label%3A%22Columbia%22">Columbia</a> for the follow-up, "Train Song," released in May of 1966.

She moved into the orbit of <a href="spotify:artist:7osQlIEugmCDo8AXAyzlqq">Oldham</a>'s <a href="spotify:search:label%3A%22Immediate+Records%22">Immediate Records</a> after its founding that year and recorded a brace of sides, mostly of her own music, none of which was issued commercially. She also cut one side with <a href="spotify:artist:3e7COBNViJzuMezPocuEpO">the Twice as Much</a> (<a href="spotify:search:label%3A%22Immediate%22">Immediate</a>'s answer to <a href="spotify:artist:70cRZdQywnSFp9pnc2WTCE">Simon & Garfunkel</a>), entitled "The Coldest Night of the Year." The latter, with its <a href="spotify:artist:3jVMgT4X7YeuYE4aludcmE">Phil Spector</a>-like production and beautiful harmonizing, showed off her singing at its most pop-oriented and commercial. Sometime after that, she left London in a horse-drawn wagon on a two-year journey into communal living in the Hebrides, with the ultimate goal of meeting folk icon <a href="spotify:artist:6vLlQYujOujIrm7zAKzEdG">Donovan</a> on the Isle of Skye. She later chanced to cross paths with American producer <a href="spotify:artist:2DejLgleOuHvmzJPds4Fwq">Joe Boyd</a>, who had made his name in London recording acts such as <a href="spotify:artist:0k17h0D3J5VfsdmQ1iZtE9">Pink Floyd</a> and <a href="spotify:artist:2LIdnZDzySb04oH40be1fR">Fairport Convention</a>. Throughout her travels Bunyan had continued writing songs, and in 1969 she teamed with <a href="spotify:artist:2DejLgleOuHvmzJPds4Fwq">Boyd</a> to record her debut LP, the lovely Just Another Diamond Day, which included some assistance from such British folk notables as <a href="spotify:artist:2fH8kTbuylrKGPorgDTKJD">Simon Nicol</a> and <a href="spotify:artist:3Ee0e4JrNXK0k9JvSt7I6I">Dave Swarbrick</a> from <a href="spotify:artist:2LIdnZDzySb04oH40be1fR">Fairport Convention</a>, and <a href="spotify:artist:0tQzBYPjAardhWpGkqVdNW">the Incredible String Band</a>'s <a href="spotify:artist:1m72bko7z6Gcez0q312XE0">Robin Williamson</a>. After completing the album she left for Ireland, dropping out of music to raise a family.

Long out of print and a highly prized collectible, Just Another Diamond Day was finally reissued on CD in the summer of 2000 and attracted an extraordinary amount of enthusiastic press, as well as something like the sales to match. In 2005 she returned with Lookaftering, a reference to her years "lookaftering" her family. The album appeared on <a href="spotify:search:label%3A%22Fat+Cat%22">Fat Cat</a>'s <a href="spotify:search:label%3A%22DiCristina%22">DiCristina</a> imprint and featured artwork by Vashti's daughter. The release was followed by a series of performances that took her to New York City, among other international locales -- by that time, word had spread sufficiently about Bunyan as a rediscovered talent that the New York performance rated mention in The New York Times. In 2007, <a href="spotify:search:label%3A%22Fat+Cat%22">Fat Cat</a>/<a href="spotify:search:label%3A%22DiCristina%22">DiCristina</a> released Some Things Just Stick in Your Mind, a compilation of Vashti Bunyan's '60s <a href="spotify:search:label%3A%22Decca%22">Decca</a>, <a href="spotify:search:label%3A%22Columbia%22">Columbia</a>, and <a href="spotify:search:label%3A%22Immediate%22">Immediate</a> recordings, plus a set of demos dating from 1964.

2008 saw the release of a feature documentary, Vashti Bunyan: From Here to Before and that same year she revealed in an interview that she had begun to write some new material. In 2014, she announced that she had completed her third album, entitled Heartleap. Self-recorded and produced, she announced that it would be her final album. Heartleap was released in October of 2014. In 2022, Bunyan published her memoir, Wayward: Just Another Life to Live. ~ Jason Ankeny & Bruce Eder, Rovi