The Sea and Cake
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-10
5,579
Social Media Followers
As of 2025-09-10
00:00:00
Hours Airplay
2025-12-07 11:18:46 UTC
Genres
Biography
In 1995, the group returned with two more LPs, the intricate Nassau and the shimmering The Biz. After the release of The Fawn in 1997, the band took a break while both Prewitt and Prekop released solo albums. Finally, in 2000, the Sea and Cake released their fifth album, Oui, followed three years later by the delivery of their most elegant album yet, One Bedroom. By this point, the group's repertoire had swelled to include African-inspired riffs, Brazilian influences, and guitar-based indie pop, and they hit a well spring of creativity as the decade wound to a close. Everybody and Car Alarm were released in quick succession, with Everybody appearing in 2007 and Car Alarm arriving in 2008. An EP, The Moonlight Butterfly, followed in 2011, as did a round of recording sessions for the band's tenth studio album. The results, Runner, appeared in September 2012.
The next few years would mark the biggest recording gap in the band's history, but in 2018 they eventually returned with Any Day. The ten-track collection concluded a six-year break since their previous effort, and featured flute and clarinet parts from Brian Wilson collaborator Paul Von Mertens. In advance of the album's release, the Sea and Cake shared its title track. ~ Jason Ankeny, Rovi
The Sea and Cake connects with 35-44 & 25-34 audiences and shows durable traction across UNITED STATES, JAPAN, UNITED KINGDOM. With a heavily male (80%) audience, creative can confidently lean into identity and style cues. Content performance peaks on Instagram, where posts average 400 avg likes per post; Instagram adds dependable engagement depth. Overlap with Alien Workshop, MOOG, Agfa highlights near-term opportunities in streetwear, music platforms, and lifestyle products. The throughline is simple: The Sea and Cake moves culture in the exact lanes many lifestyle marketers need.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 5,579 · Engagements 400 · Rate 7.2% Posts 112 · Views 0 · Avg Likes 400 · Avg Comments 8 · Avg Views 0 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
35-44: 37% 25-34: 32% 45-64: 21% 18-24: 9% |
Largest: 35-44 (37%); next: 25-34 (32%) |
| Gender Split |
Female: 20% Male: 80% Non-binary/Other: 0% |
Skews male (80%) |
| Top Countries |
UNITED STATES (60%) JAPAN (8%) UNITED KINGDOM (5%) CANADA (4%) MEXICO (3%) |
Top regions: UNITED STATES (60%), JAPAN (8%), UNITED KINGDOM (5%) |
| Platform Engagement | Instagram: 400 avg likes/post | best engagement: Instagram 400 avg likes |
Top Brand Affinities
Alien Workshop
MOOG
Agfa
Ampeg
Mixcloud
Ableton
Akg
Pro Tools
Sennheiser
Hasselblad
Hurley
Kodak
| Brand | Category | Score |
|---|---|---|
| Alien Workshop | 100.43 | |
| MOOG | 95.34 | |
| Agfa | 51.08 | |
| Ampeg | 42.00 | |
| Mixcloud | 37.37 | |
| Ableton | 23.83 | |
| Akg | 16.16 | |
| Pro Tools | 13.30 | |
| Sennheiser | 13.01 | |
| Hasselblad | 12.05 | |
| Hurley | 9.24 | |
| Kodak | 8.75 | |
| Leica | 8.67 | |
| Kickstarter | 8.13 | |
| Spotify Music | 7.79 | |
| Xerox | 6.97 | |
| Olympus | 6.72 | |
| Oculus | 6.16 | |
| SoundCloud | 5.90 | |
| Fujifilm | 5.74 | |
| Vivienne Westwood | 5.14 | |
| Nixon | 4.82 | |
| Paramount Pictures | 4.79 | |
| Pilsner Urquell | 4.44 | |
| Lollapalooza | 4.41 | |
| Heinz | 4.35 | |
| Polaroid | 4.11 | |
| Abercrombie & Fitch | 3.76 | |
| Holden | 3.62 | |
| Cadillac | 3.51 | |
| Coors | 3.47 | |
| Bethesda Softworks | 3.37 | |
| Coachella | 3.35 | |
| Showtime | 3.35 | |
| Beats Electronics | 3.27 | |
| Campari | 3.23 | |
| Warner Bros | 3.19 | |
| Emporium | 3.10 | |
| Airbnb | 2.82 | |
| Pixar | 2.81 | |
| Panasonic | 2.80 | |
| Columbia Pictures | 2.74 | |
| A Game of Tones | 2.69 | |
| Carhartt | 2.68 | |
| Snoopy And The Peanuts Gang | 2.50 | |
| NHL | 2.47 | |
| Intel | 2.46 | |
| Philips | 2.31 | |
| Nickelodeon | 2.30 | |
| Chrysler | 2.18 |
Official Profiles
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Concerts
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| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| No upcoming concerts found. | ||||















