The Datsuns
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-08
10,985
Social Media Followers
As of 2025-09-08
00:00:00
Hours Airplay
2025-12-07 11:20:13 UTC
Genres
Biography
Although six months earlier people were telling New Zealand's Datsuns to give up, London's music press was hailing them as "genius" by mid-2002. At that point, the group had already been playing their brand of garage rock for six years, ever since they met at school in Cambridge and formed a band called Trinket. Back in 1997, as Trinket, they won the local radio station's Battle of the Bands. The following year, now called the Datsuns, they won again. In the years that followed, they released only a handful of singles, all on vinyl and all on their own record label, Hellsquad Records. While beloved by student radio and known for their live Who-like performances, they were a relatively unknown group even at home. Things started to look up in March 2001, when a tour of Australia caused a bit of a stir, especially in Melbourne. Encouraged, the Datsuns made plans to take on London.
First it was the fickle London music press that flocked to the group's gigs, jostling with each other to hail the Datsuns as the greatest thing they'd seen. Record companies followed, waving checkbooks in their faces. One major-label boss flew in from New York to check out the action. Their London tour of duty had started with the band sleeping on other people's couches; before long, at least one hopeful record company was fronting hotel bills. In July 2002, the group signed with the V2 label. The bandmembers then prepped for the domestic release of their self-titled effort, which appeared in 2002. The Datsuns topped the charts in New Zealand and was their highest showing in the U.K., where it peaked at number 17. Two years later, the Datsuns returned with Outta Sight/Outta Mind. Smoke & Mirrors followed in 2006. The group released their fourth studio effort, Head Stunts, on Cooking Vinyl in 2008, which was slated for a U.S. domestic release in 2009.
In 2012, the Datsuns delivered the bombastic, hard rock- and psych-rock-tinged Death Rattle Boogie. Two years later, they stayed on the same fuzzed-out path with Deep Sleep. It would be seven more years before the band delivered their seventh album, 2021's Eye to Eye, but stylistically they remained largely unchanged, serving up another platter of psychedelic crunch that channeled the greats of classic rock. ~ Ed Nimmervoll & Neil Z. Yeung, Rovi
The Datsuns maintains consistent pull among 25-34 & 18-24 audiences across INDONESIA, UNITED STATES, NEW ZEALAND. The audience leans heavily male (83%), so brand cues around style and status perform well. The clearest reach is on Youtube with 13,299 avg views per post; Youtube functions as the community touchpoint. Affinity with Ampeg, Air New Zealand, MOOG makes streetwear, music platforms, and lifestyle products a simple starting line. If the goal is to create a moment that travels, this is the right lane.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 10,985 · Engagements 386 · Rate 3.5% Posts 340 · Views 13,299 · Avg Likes 379 · Avg Comments 19 · Avg Views 13,299 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
25-34: 45% 18-24: 27% 35-44: 16% 45-64: 7% |
Largest: 25-34 (45%); next: 18-24 (27%) |
| Gender Split |
Female: 17% Male: 83% Non-binary/Other: 0% |
Skews male (83%) |
| Top Countries |
INDONESIA (18%) UNITED STATES (13%) NEW ZEALAND (10%) UNITED KINGDOM (9%) AUSTRALIA (7%) |
Top regions: INDONESIA (18%), UNITED STATES (13%), NEW ZEALAND (10%) |
| Platform Engagement | Instagram: 148 avg likes/post · Youtube: 13,299 avg views/post | Best reach: Youtube 13,299 avg views; best engagement: Youtube 231 avg likes |
Top Brand Affinities
Ampeg
Air New Zealand
MOOG
Live Nation
Tele2
Sennheiser
Mixcloud
Pilsner Urquell
Pro Tools
Datsun
Spotify Music
Dr. Martens
| Brand | Category | Score |
|---|---|---|
| Ampeg | 80.86 | |
| Air New Zealand | 30.45 | |
| MOOG | 26.86 | |
| Live Nation | 20.24 | |
| Tele2 | 19.51 | |
| Sennheiser | 14.67 | |
| Mixcloud | 13.69 | |
| Pilsner Urquell | 10.39 | |
| Pro Tools | 9.13 | |
| Datsun | 7.70 | |
| Spotify Music | 7.16 | |
| Dr. Martens | 6.92 | |
| Jagermeister | 5.72 | |
| New Line Cinema | 5.23 | |
| Kmart | 4.95 | |
| Converse | 4.69 | |
| Ableton | 4.67 | |
| Nixon | 4.59 | |
| Holden | 4.39 | |
| Leica | 4.37 | |
| Hot Wheels | 4.27 | |
| Sega | 4.01 | |
| Kodak | 3.95 | |
| Guinness | 3.92 | |
| Jack Daniels | 3.85 | |
| Columbia Pictures | 3.80 | |
| SoundCloud | 3.51 | |
| Vans | 3.42 | |
| Fujifilm | 3.38 | |
| Volvo | 3.24 | |
| Cadillac | 3.05 | |
| Gundam | 2.92 | |
| Harley-Davidson | 2.69 | |
| Jaguar | 2.65 | |
| Lollapalooza | 2.58 | |
| Tinder | 2.57 | |
| Carhartt | 2.55 | |
| NHL | 2.46 | |
| Sunnies Studios | 2.36 | |
| Polaroid | 2.34 | |
| Yamaha | 2.32 | |
| Philips | 2.23 | |
| Nokia | 2.22 | |
| Lego | 2.13 | |
| Star Wars | 2.13 | |
| Petronas | 2.03 | |
| A Game of Tones | 2.00 | |
| Showtime | 1.95 | |
| Heineken | 1.95 | |
| Transformers | 1.84 |
Official Profiles
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LoginArtist: The Datsuns
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Total Streams
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Concerts
Upcoming events from today (UTC) to the next 6 months.
| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| 2026-03-13 03:00 UTC | The Datsuns | Smash Palace | Gisborne, New Zealand | |
| 2026-03-14 03:00 UTC | The Datsuns | Totara Street | mount maunganui, New Zealand | |
| 2026-03-20 03:00 UTC | The Datsuns | The Loons | Christchurch, New Zealand | |
| 2026-03-20 07:00 UTC | The Datsuns | San Fran | Wellington, New Zealand | |
| 2026-03-21 03:00 UTC | The Datsuns | San Fran | Wellington, New Zealand | |
| 2026-03-22 03:00 UTC | The Datsuns | The Hollywood Avondale | Auckland, New Zealand | |
| 2026-03-26 02:30 UTC | The Datsuns | The Gov | Adelaide, Australia | |
| 2026-03-27 02:00 UTC | The Datsuns | Crowbar | Fortitude Valley, Australia | |
| 2026-03-28 03:00 UTC | The Datsuns | Crowbar | Fortitude Valley, Australia | |
| 2026-03-29 02:00 UTC | The Datsuns | The Croxton Bandroom | Melbourne, Australia |















