In the '80s, Lobão was a key figure in the emergence of Brazilian rock, with a discography featuring hits by artists like Marina and Nelson Gonçalves. His work sparked important conversations about artistic rights in Brazil. After playing with Vímana, Lobão collaborated with various artists before releasing his solo debut, "Cena de Cinema," in 1981, a record that became a classic in Brazilian rock history. Despite initial success with the band Blitz, Lobão left due to creative differences and later faced legal issues. His subsequent albums, including "O Rock Errou" and "Cuidado!", showcased his diverse musical influences and social commentary.

Throughout his career, Lobão continued to push boundaries in Brazilian music, releasing albums like "Vida Bandida" and "Sob o Sol de Parador." He faced controversy for his distribution methods and outspoken views on the music industry and political systems. Despite legal troubles and personal challenges, Lobão's music resonated with audiences, with live performances like "Vivo" receiving high acclaim. His albums like "Nostalgia da Modernidade" and "Noite" showcased his ongoing exploration of different genres and themes, cementing his reputation as a provocative and influential figure in Brazilian rock.