
Deniece Williams
Influence: 61.88%
Fanbase: 40.65%
Trending: 72.49%
Career Level: Mainstream
Top Brand Affinity
Highest overlapping lifestyle brand
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As of 2025-10-08
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Social Media Followers
As of 2025-10-08
00:00:00
Hours Airplay
2025-10-08 16:55:58 UTC
Genres
poppost-discomainstream popr&b, funk & soulurban contemporarynew jack swingquiet stormr&b/soulclassic soulfunksouldiscomotowncontemporary r&b
Biography
Deniece Williams rose to prominence in the '70s with her distinctive four-octave soprano voice, establishing herself as a solo artist, songwriter, and producer. Her debut album, This Is Niecy (1976), produced hits like "Free" and set the stage for a successful career that included chart-topping singles, Grammy wins, and collaborations with R&B and jazz legends. Williams' diverse musical journey led to acclaimed albums like I'm So Proud (1983) and Let's Hear It for the Boy (1984), showcasing her versatility and range across various genres.
Hailing from Gary, Indiana, Williams began her musical career in the late '60s before finding success as part of Stevie Wonder's Wonderlove. Her transition to a solo artist saw her collaborating with industry heavyweights like Maurice White and George Duke, leading to hits such as "Too Much, Too Little, Too Late" and "Let's Hear It for the Boy." Williams' foray into gospel music with albums like So Glad I Know (1986) demonstrated her spiritual side, further showcasing her vocal prowess and versatility as an artist. Throughout her career, Williams has continued to captivate audiences with her powerful voice and timeless music.
Hailing from Gary, Indiana, Williams began her musical career in the late '60s before finding success as part of Stevie Wonder's Wonderlove. Her transition to a solo artist saw her collaborating with industry heavyweights like Maurice White and George Duke, leading to hits such as "Too Much, Too Little, Too Late" and "Let's Hear It for the Boy." Williams' foray into gospel music with albums like So Glad I Know (1986) demonstrated her spiritual side, further showcasing her vocal prowess and versatility as an artist. Throughout her career, Williams has continued to captivate audiences with her powerful voice and timeless music.
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Official Profiles
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LoginArtist: Deniece Williams
Date Range: 2025-10-08 → 2025-10-08
Total Airplay Time: 0h 0m 0s across 0 Radio Stations
The map shows every radio station that aired Deniece Williams today. Use the controls to highlight stations with the most or least airtime.
Top 10 Songs Played Today
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Total Streams
No streaming audience data is available for this artist yet.
Radio Spins (2025-08-22)
Showing spins for the UTC day. If the current UTC day has no spins yet, we display the most recent day with activity.
Aired At | Song | Station | Location | Duration (s) |
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2025-08-22 12:47:53 | That's What Friends Are For (Album Version) | Soho Radio | London, GB | 200 |
2025-08-22 12:32:15 | Black Butterfly (Album Version) | WHUR-FM | Washington, D.C., US | 258 |
2025-08-22 10:48:29 | Let's Hear It for the Boy | Smooth Radio North West | Manchester, GB | 233 |
2025-08-22 10:48:28 | Let's Hear It for the Boy | Smooth FM | London, GB | 234 |
2025-08-22 10:48:25 | Let's Hear It for the Boy | Smooth Radio North East | Durham, GB | 233 |
2025-08-22 09:32:06 | Let's Hear It for the Boy | POP FM | Copenhagen, DK | 218 |
2025-08-22 08:35:33 | Let's Hear It for the Boy | Magic Soul | London, GB | 232 |
2025-08-22 07:58:21 | It's Gonna Take a Miracle - Single Version | Rádio 80 FM | São Paulo, BR | 244 |
2025-08-22 07:50:51 | Silly (Album Version) | WVKL-FM (95.7 FM R&B Norfolk Urban Music) | Norfolk, US | 331 |
2025-08-22 06:57:15 | Let's Hear It for the Boy | Joe FM | Brussels, BE | 168 |
Popularity (2025-10-07)
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