Commodo
Influence: 49.66%
Fanbase: 21.93%
Trending: 63.53%
Career Level: Rising
Top Brand Affinity
Highest overlapping lifestyle brand
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As of 2025-10-08
0
Social Media Followers
As of 2025-10-08
00:00:00
Hours Airplay
2025-10-08 03:53:18 UTC
Genres
hip-hop & raprap toscanaelectronicelectronicbass musicfuture garageclassic dubstepdeep dubstepsubstepminimal dubstepdancedubstep
Biography
Commodo is a unique artist who stands out for his minimal online presence and ability to make an impact solely through his music. His bass-heavy beats are crafted with soulful depth, eschewing formulas and showcasing his innovative sampling and sound design skills influenced by his love for hip hop. Oli Grant's words capture the essence of Commodo's distinct musical approach.
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Top Brand Affinities
View Social Media Report
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Affinity data is not available for this artist.
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Official Profiles
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LoginArtist: Commodo
Date Range: 2025-10-08 → 2025-10-08
Total Airplay Time: 0h 0m 0s across 0 Radio Stations
The map shows every radio station that aired Commodo today. Use the controls to highlight stations with the most or least airtime.
Top 10 Songs Played Today
- Radio airplay data is being collected. Please check back soon.
Total Streams (2025-09-29)
Total: 45,597
| PLATFORM | TOTAL | % | |
|---|---|---|---|
| [+] |
Spotify |
45,597 | 100.00% |
| [+] |
Anghami |
0 | 0.00% |
| [+] |
Audiomack |
0 | 0.00% |
| [+] |
Jiosaavn |
0 | 0.00% |
| [+] |
Last.fm |
0 | 0.00% |
| [+] |
Pandora |
0 | 0.00% |
| [+] |
Tidal |
0 | 0.00% |
| [+] |
Yandex |
0 | 0.00% |
| [+] |
YouTube Artist |
0 | 0.00% |
Radio Spins (2025-08-21)
Showing spins for the UTC day. If the current UTC day has no spins yet, we display the most recent day with activity.
| Aired At | Song | Station | Location | Duration (s) |
|---|---|---|---|---|
| 2025-08-21 21:22:12 | 1001 | Noods Radio | Bristol, GB | 52 |
| 2025-08-21 20:17:51 | Scabz | NTS | London, GB | 96 |
| 2025-08-21 05:44:53 | Living Bones | SUBTLE | London, GB | 259 |
Popularity (2025-10-06)
| Platform | % |
|---|---|
| No data. | |
