Yves Larock
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-08
44,425
Social Media Followers
As of 2025-09-08
00:00:00
Hours Airplay
2025-12-07 09:48:53 UTC
Genres
Biography
In recent years, Larock has focused on composing for brand campaigns and self-releasing music on his label, Millia Records, established in 2010. In 2020, he co-produced the official anthem for the 2020 Ice Hockey World Championship. In 2021, Larock is set to release reimagined versions of his past hits, including a house edit of 'Zookey' and 'Rise Up 2k21', showcasing a new club sound. More projects are anticipated from Larock in 2021.
Yves Larock reaches 25-34 & 18-24 audiences concentrated in BRAZIL, INDIA, UNITED STATES. The demographic tilt is heavily male (80%), making the message easy to tune without losing breadth. Youtube delivers the top exposure at 5,727 avg views per post, and Youtube maintains ongoing rapport. Affinity proximity to Mixcloud, Baselworld, Pioneer suggests organic collaborations in streetwear, music platforms, and lifestyle products. This is a partner choice that trades on credibility rather than interruption.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 44,425 · Engagements 126 · Rate 0.3% Posts 453 · Views 6,537 · Avg Likes 122 · Avg Comments 8 · Avg Views 6,537 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
25-34: 44% 18-24: 38% 35-44: 11% 45-64: 4% |
Largest: 25-34 (44%); next: 18-24 (38%) |
| Gender Split |
Female: 20% Male: 80% Non-binary/Other: 0% |
Skews male (80%) |
| Top Countries |
BRAZIL (14%) INDIA (10%) UNITED STATES (9%) MEXICO (5%) SWITZERLAND (4%) |
Top regions: BRAZIL (14%), INDIA (10%), UNITED STATES (9%) |
| Platform Engagement | Instagram: 51 avg likes/post · Tiktok: 810 avg views/post · Youtube: 5,727 avg views/post | Best reach: Youtube 5,727 avg views; best engagement: Youtube 67 avg likes |
Top Brand Affinities
Mixcloud
Baselworld
Pioneer
MOOG
Trancefamily
Tomorrowland
Warner Music
Ableton
Sennheiser
Akai
Amazon Music
Pro Tools
| Brand | Category | Score |
|---|---|---|
| Mixcloud | 93.91 | |
| Baselworld | 76.32 | |
| Pioneer | 76.32 | |
| MOOG | 53.69 | |
| Trancefamily | 50.30 | |
| Tomorrowland | 32.69 | |
| Warner Music | 31.67 | |
| Ableton | 24.51 | |
| Sennheiser | 24.30 | |
| Akai | 20.09 | |
| Amazon Music | 17.35 | |
| Pro Tools | 17.10 | |
| Galeries Lafayette | 15.67 | |
| Tissot | 14.62 | |
| SoundCloud | 11.91 | |
| TAG Heuer | 10.62 | |
| Easyjet | 9.32 | |
| Qatar Airways | 8.97 | |
| Spotify Music | 8.54 | |
| Bose | 8.13 | |
| Beats Electronics | 7.84 | |
| Capcom | 7.70 | |
| Absolut | 7.61 | |
| KIA | 6.27 | |
| Mahindra | 6.24 | |
| Superdry | 5.55 | |
| Nestlé | 5.44 | |
| Moncler | 5.41 | |
| Omega | 5.37 | |
| Lollapalooza | 5.16 | |
| Nespresso | 5.00 | |
| Dyson | 4.86 | |
| Skoda | 4.27 | |
| Heineken | 4.18 | |
| Bajaj | 3.96 | |
| Red Bull | 3.92 | |
| Fiat | 3.76 | |
| Carrefour | 3.66 | |
| Ferrari | 3.60 | |
| Ducati | 3.42 | |
| KTM | 3.42 | |
| Maserati | 3.38 | |
| Monster Beverage | 3.37 | |
| NHL | 3.36 | |
| Alfa Romeo | 3.28 | |
| Matrix | 3.23 | |
| Sony | 3.22 | |
| Intel | 3.21 | |
| Aperol | 3.20 | |
| Pull&Bear | 3.15 |
Official Profiles
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Concerts
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| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| No upcoming concerts found. | ||||















