Tony Trischka
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-11-13
21,916
Social Media Followers
As of 2025-11-13
00:00:00
Hours Airplay
2025-12-27 23:40:38 UTC
Genres
Biography
A native of Syracuse, New York, Trischka's interest in banjo was sparked by the Kingston Trio's "Charlie and the MTA" in 1963. Two years later, he joined the Down City Ramblers, remaining until 1971. That year, Trischka made his recording debut on 15 Bluegrass Instrumentals with the band Country Cooking; at the same time, he was also a member of Country Granola. In 1973, he began a two-year stint with Breakfast Special. Between 1974 and 1975, he recorded two solo albums, Bluegrass Light and Heartlands. After one more solo album in 1976, Banjoland, he went on to become the musical leader for the Broadway show The Robber Bridegroom. Trischka toured with the show in 1978, the year he also played with the Monroe Doctrine.
Beginning in 1978, he also played with artists such as Peter Rowan, Richard Greene, and Stacy Phillips. In the early '80s, he began recording with his new group Skyline, who recorded their first album in 1983. Subsequent albums included Robot Plane Flies Over Arkansas (solo, 1983), Stranded in the Moonlight (with Skyline, 1984), and Hill Country (solo, 1985). In 1984, he performed in his first feature film, Foxfire. Three years later, he worked on the soundtrack for Driving Miss Daisy. Trischka produced the Belgian group Gold Rush's No More Angels in 1988. The following year, Skyline recorded their final album, Fire of Grace. He also recorded the theme song for Books on the Air, a popular National Public Radio show, and continued his affiliation with the network by appearing on Garrison Keillor's Prairie Home Companion, Mountain Stage, From Our Front Porch, and other radio shows.
Trischka's solo recordings during the '90s include 1993's World Turning, 1995's Glory Shone Around: A Christmas Collection, and 1999's Bend. New Deal followed in 2003 and was a bluesy adaptation of bluegrass standards that featured, among other elements, a vocal cameo by Loudon Wainwright. Double Banjo Bluegrass Spectacular, featuring an appearance by comedian Steve Martin, came out four years later, followed by Territory in 2008.
Trischka turned his talents toward touring and playing on other artists' records for most of the next five years, culminating in his production of Martin's Grammy-nominated Rare Bird Alert in 2011, and serving as the musical director for the PBS documentary Give Me the Banjo. In the summer of 2012, he served as bandleader as well as performer in the bluegrass-informed Shakespeare in the Park production of As You Like It in New York City's Central Park.
Trischka returned to recording under his own name in 2013 and emerged with Great Big World in early 2014. In 2021, he released the ambitious Shall We Hope, a concept LP inspired by his lifetime love of Civil War history that also featured vocalist Michael Daves. 2024's cheekily titled Earl Jam saw Trischka deliver a set of 15 songs that he transcribed from lost recordings of private jams between Earl Scruggs and John Hartford. The LP featured an all-star cast of players that included Molly Tuttle, Sam Bush, Stuart Duncan, Billy Strings, Darol Anger, and Béla Fleck, among many others. ~ Sandra Brennan & Thom Jurek, Rovi
Tony Trischka reliably reaches 25-34 & 18-24 audiences in UNITED STATES, NIGERIA, CANADA. The base is heavily male (78%), paving the way for collaborations that read as status, style, and scene. The strongest distribution channel is Tiktok (1,024 avg views per post); Instagram layers on depth and replies. The audience sits near MOOG, Ampeg, Kickstarter, making streetwear, music platforms, and lifestyle products a natural expansion. The partnership writes itself—and the comments back it up.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 21,916 · Engagements 168 · Rate 0.8% Posts 1,000 · Views 1,024 · Avg Likes 165 · Avg Comments 6 · Avg Views 1,024 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
25-34: 31% 18-24: 26% 45-64: 23% 35-44: 17% |
Largest: 25-34 (31%); next: 18-24 (26%) |
| Gender Split |
Female: 22% Male: 78% Non-binary/Other: 0% |
Skews male (78%) |
| Top Countries |
UNITED STATES (81%) NIGERIA (6%) CANADA (3%) UNITED KINGDOM (2%) JAPAN (1%) |
Top regions: UNITED STATES (81%), NIGERIA (6%), CANADA (3%) |
| Platform Engagement | Instagram: 121 avg likes/post · Tiktok: 1,024 avg views/post | Best reach: Tiktok 1,024 avg views; best engagement: Instagram 121 avg likes |
Top Brand Affinities
MOOG
Ampeg
Kickstarter
Marshall
Amazon Music
Akg
Pro Tools
Schwartz's
Sennheiser
Coors
Paramount Pictures
Spotify Music
| Brand | Category | Score |
|---|---|---|
| MOOG | 36.78 | |
| Ampeg | 27.56 | |
| Kickstarter | 26.51 | |
| Marshall | 23.89 | |
| Amazon Music | 18.07 | |
| Akg | 17.87 | |
| Pro Tools | 12.45 | |
| Schwartz's | 11.72 | |
| Sennheiser | 11.10 | |
| Coors | 9.91 | |
| Paramount Pictures | 8.59 | |
| Spotify Music | 8.42 | |
| Emporium | 6.98 | |
| Hurley | 6.45 | |
| Kroger | 5.71 | |
| Ableton | 5.37 | |
| Pilsner Urquell | 4.81 | |
| Pixar | 4.72 | |
| NBC | 4.60 | |
| Nixon | 4.49 | |
| Bethesda Softworks | 4.28 | |
| Margaritaville | 4.17 | |
| FedEx | 4.13 | |
| Guinness | 4.09 | |
| Gillette | 3.63 | |
| Showtime | 3.57 | |
| Pfizer | 3.52 | |
| Cadillac | 3.51 | |
| Mulberry | 3.43 | |
| Carhartt | 3.34 | |
| Heinz | 3.23 | |
| Kodak | 3.22 | |
| Leica | 3.20 | |
| The Witcher | 3.19 | |
| NHL | 3.07 | |
| Columbia Pictures | 3.00 | |
| Stradivarius | 2.81 | |
| Paypal | 2.69 | |
| Airbnb | 2.58 | |
| Tinder | 2.51 | |
| Chipotle Mexican Grill | 2.28 | |
| Busch | 2.26 | |
| Costco | 2.23 | |
| Jack Daniels | 2.22 | |
| Lollapalooza | 2.19 | |
| Warner Bros | 2.05 | |
| Budweiser | 2.01 | |
| Walmart | 1.97 | |
| Amazon | 1.95 | |
| Polaroid | 1.94 |
Official Profiles
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LoginArtist: Tony Trischka
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Top 10 Songs Played Today
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Total Streams (2025-09-26)
Total: 128,768
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Concerts
Upcoming events from today (UTC) to the next 6 months.
| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| 2026-03-15 03:00 UTC | Tony Trischka | The State Theatre | Falls Church, United States |















