Todd Terry

Todd Terry

Country: US | Gender: male

Influence: 58.62% Fanbase: 37.24% Trending: 69.32% Career Level: Rising

Top Brand Affinity

Highest overlapping lifestyle brand

Mixcloud • 184.03% • Very Strong

As of 2025-09-08

265,944

Social Media Followers

As of 2025-09-08

00:00:00

Hours Airplay

2025-12-07 16:52:58 UTC

Genres

hip-hop & raphip houseelectronicdeep groove househousedancedeep houseclassic housedisco housediva housegarage housetribal housevocal housefunky tech housetech housefunky housesoulful house

Biography

Todd Terry is one of house music's most innovative, successful, and prolific producers. More than any other artist, Terry defined New York house during the '80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, and plenty of hip-hop attitude and sampling piracy. This free-wheeling, breakbeat-driven sound became a major influence on U.K. rave and hardcore, and his collaborations with rappers, particularly the Jungle Brothers on 1988's "I'll House You," popularized hip-house outside of Chicago. He topped U.S. club charts and scored U.K. pop hits with numerous singles as Royal House and the Todd Terry Project, then achieved his biggest mainstream success with his ubiquitous 1995 remix of Everything But the Girl's "Missing." He continued delivering high-profile remixes and scoring hits with garage house anthems like 1996's "Keep on Jumpin'" and 1997's "Something Goin' On" (both featuring Martha Wash and Jocelyn Brown), then unexpectedly shifted from song-oriented material to dark drum'n'bass with his 1999 full-length Resolutions. He remained as productive as ever well into the 21st century, constantly releasing house tracks on numerous labels (including his own Sound Design, In House Records, and Freeze Records), and occasionally venturing into hip-hop and electro with releases like 2013's Todd Terry vs. That Trap Shitt. His extensive list of singles during the 2020s has included collaborations with Kevin Saunderson, Robin S., House Gospel Choir, and others, while a series of Retrospective compilations have gathered his career highlights.

Born in Brooklyn, Terry began DJ'ing in the early '80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago landed in the mid-'80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny "Dope" Gonzalez, Terry borrowed the Masters at Work guise -- which Vega and Gonzalez would later popularize -- for one of his first big productions, the 1987 single "Alright Alright"; the single became a milestone on New York's early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in "I'll House You," one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, "Weekend" and the Arthur Russell-sampling "Bango (To the Batmobile)," both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits -- Black Riot's "A Day in the Life," Gypsymen's "Hear the Music," Royal House's "Can You Party," CLS' "Can You Feel It," and Tech Nine's "Slam Jam" are but a few. In addition to his wealth of released material, Terry remixed or collaborated with dozens of famous artists, including Björk, Janet Jackson, P.M. Dawn, Tina Turner, and Annie Lennox. The British house boom of the early '90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a sensation, causing several British journalists to describe him as "God."

Terry moved into label entrepreneurship in 1991 when he formed Freeze Records with William Socolov. (Several of Terry's early singles had appeared on Socolov's Fresh and Sleeping Bag labels, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry's productions, including releases by his Sax and Sound Design projects, as well as several volumes of his Unreleased Project EP series, which began in 1992 and ran through 1995.

That same year, Terry's remix of "Missing" by the erstwhile pop act Everything But the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo's flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while Sound of Ministry issued the flipside of the coin, A Day in the Life of Todd Terry (an expanded repackaging of Unreleased Project Part 7). His next project, 1997's Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, Shannon, and Bernard Fowler. "Something Goin' On," "Keep On Jumpin," and "It's All Over Love" all topped the Billboard club charts, and became three of Terry's biggest hits in the U.K. He made another artistic change-up, to LP-oriented drum'n'bass, with his 1999 album Resolutions, recorded for electronica stalwart Astralwerks.

Joining his previous Freeze Records, Terry founded additional labels such as In House Records, TT Records, and Sound Design. He continually issued singles in addition to mix CDs and career retrospectives including 2005's The Todd Terry Trilogy: Past, Present & Future and 2007's Strictly Todd Terry. His album releases during the early 2010s included genre-focused exercises such as Todd Terry vs. That Trap Shitt, Freestyle Forever, Todd Terry vs. Hip-Hop (Dramatical Volume 1), and This Is Acid House. Another major anthology, a volume of Defected's House Masters series, arrived in 2016. Terry continued issuing original tracks and revamped older material at an astonishing rate, including collaborations with younger house and EDM artists like Leftwing : Kody and Oliver Nelson, as well as dance veterans including Louie Vega, Kevin Saunderson, Robin S., and Danny Rampling. He produced House Gospel Choir's 2020 track "My Zulu," and his output during 2021 included the Junior Sanchez collaboration "Live Forever" and solo singles like "Give It Up" and "To da Breakdown."

The next year, Terry released "Something Going On 2022," a revamped version of his earlier hit with Martha Wash and Jocelyn Brown. Other tracks appearing during the year included "This Is the Sound" (with Riva Starr) and "Ride On Time" (with Butter Rush), also remakes of older songs. Terry's 2023 releases included "Get On Down" (with Ferreck Dawn), "I Give You Love" (with Janika Tenn and Lee Wilson), and "The Sound" (with Leia Contois). Terry released several Retrospective compilations in 2024 while continuing to issue singles such as "Honey" (with Killa Time and Rychus Ryter). ~ John Bush & Paul Simpson, Rovi

Todd Terry Marketing Affinity & Brand Fit Data

Report Date: 2025-09-08

Todd Terry builds repeat engagement among 25-34 & 35-44 audiences throughout UNITED STATES, UNITED KINGDOM, ITALY. With a heavily male (83%) base, campaign framing can lean into status, style, and community. The sharpest reach is on Youtube (739 avg views per post), while Instagram provides social proof in comments and saves. Affinities with Mixcloud, Allen & Heath, Pioneer point to authentic extensions into streetwear, music platforms, and lifestyle products. Expect work that feels native to the timeline—not bolted on.

Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.

ER = (likes + comments + shares) ÷ audience per post ≥ 3.0% = Very Strong 2.0–2.99% = Strong 1.0–1.99% = Moderate < 1.0% = Low
How to read it: Pair ER with reach (views/followers) to gauge intensity and scale.
Connection Strength
Artist Todd Terry score 0.17%Low bucket.
Brand: MixcloudBrand: Allen & HeathBrand: Pioneer
Followers:265,944
Engagements:448
Rate:0.2%
Posts:5,960
Views:739
Avg Likes:443
Avg Comments:19
Avg Views:739

Audience Demographics & Key Stats

MetricValueWhy It Matters
Social Snapshot Followers 265,944 · Engagements 448 · Rate 0.2%
Posts 5,960 · Views 739 · Avg Likes 443 · Avg Comments 19 · Avg Views 739
Combine reach (followers/views) with ER to size both impact and responsiveness.
Age Breakdown 25-34: 39%
35-44: 31%
18-24: 16%
45-64: 12%
Largest: 25-34 (39%); next: 35-44 (31%)
Gender Split Female: 17%
Male: 83%
Non-binary/Other: 0%
Skews male (83%)
Top Countries UNITED STATES (24%)
UNITED KINGDOM (13%)
ITALY (10%)
BRAZIL (9%)
SPAIN (5%)
Top regions: UNITED STATES (24%), UNITED KINGDOM (13%), ITALY (10%)
Platform Engagement Instagram: 392 avg likes/post · Youtube: 739 avg views/post Best reach: Youtube 739 avg views; best engagement: Instagram 392 avg likes

Top Brand Affinities

Mixcloud
Score: 184.03
Allen & Heath
Score: 152.50
Pioneer
Score: 113.06
Ableton
Score: 58.51
MOOG
Score: 48.34
Akai
Score: 40.29
Sennheiser
Score: 23.87
Trancefamily
Score: 21.96
Amazon Music
Score: 21.87
SoundCloud
Score: 19.82
ITV
Score: 17.17
Tomorrowland
Score: 12.81
Brand Category Score
Mixcloud 184.03
Allen & Heath 152.50
Pioneer 113.06
Ableton 58.51
MOOG 48.34
Akai 40.29
Sennheiser 23.87
Trancefamily 21.96
Amazon Music 21.87
SoundCloud 19.82
ITV 17.17
Tomorrowland 12.81
Beats Electronics 12.32
Easyjet 9.73
Pro Tools 8.68
Atmos 8.46
Vauxhall 8.31
Moët & Chandon 7.35
Spotify Music 7.12
Dsquared 6.45
Carlsberg 5.87
Jagermeister 5.80
iHeartRadio Music Awards 5.65
Vivienne Westwood 5.27
KARL LAGERFELD 5.17
Hurley 4.94
MTV 4.53
Stüssy 4.33
Garnier 3.96
Campari 3.93
Coachella 3.80
Hilton 3.72
Alfa Romeo 3.65
Bacardi 3.39
ASOS 3.25
Fila 3.24
NBC 3.19
Martini 3.19
Red Bull 2.92
TOM FORD 2.90
Sneakerhead 2.88
Moschino 2.74
Warner Bros 2.73
Aperol 2.68
Hennessy 2.68
musical.ly 2.68
BBC 2.67
Guinness 2.63
Dr. Martens 2.61
Emporium 2.44

Official Profiles

Login to view Contact

Login

Artist: Todd Terry

Date Range: 2025-12-07 → 2025-12-07
Total Airplay Time: 0h 0m 0s across 0 Radio Stations

The map shows every radio station that aired Todd Terry today. Use the controls to highlight stations with the most or least airtime.

Top 10 Songs Played Today

  • Radio airplay data is being collected. Please check back soon.

Total Streams

No streaming audience data is available for this artist yet.

Concerts

Upcoming events from today (UTC) to the next 6 months.

Date/Time (UTC) Event Venue Location Tickets
2026-03-14 02:30 UTC Todd Terry Tower Ballroom Birmingham, United Kingdom

Trending Artist