Titus Andronicus
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-09
20,157
Social Media Followers
As of 2025-09-09
00:00:00
Hours Airplay
2025-12-07 16:50:30 UTC
Genres
Biography
Patrick Stickles formed Titus Andronicus in 2005, and has been the sole constant member throughout their history. Founded in Glen Rock, New Jersey, the initial core of the band featured Stickles on lead vocals, guitar, keyboards, and percussion, Liam Betson and Dan Tews on guitars, Ian Graetzer on bass, and Ian Dykstra on drums. This edition of the group recorded their debut album, The Airing of Grievances (named for one of the traditions of the fictive holiday of Festivus from the sitcom Seinfeld), which was recorded during the second half of 2007 and issued by the punk label Troubleman Unlimited in April 2008. Positive reviews earned the band a buzz in the indie music scene, and they signed a deal with XL Recordings, which gave the LP a reissue in January 2009. For their second album, 2010's The Monitor, Titus Andronicus officially slimmed down to a quartet with the departure of guitarist Tews, while Harm replaced Dykstra behind the drums. The Monitor was a thematically complex concept album inspired by events from the Civil War, and the wealth of guest artists on the sessions included members of the Hold Steady, the Vivian Girls, Ponytail, the Felice Brothers, and Wye Oak, among others. The online music magazine Pitchfork named it one of the Ten Best Albums of 2010, and in 2014 they declared it one of the 100 Best Albums of the Decade So Far.
After the big themes of The Monitor, Titus Andronicus narrowed their focus for 2012's Local Business, which featured a more personal lyrical perspective and simpler production and arrangements. The album also introduced another new edition of Titus Andronicus, with Stickles, Betson, and Harm joined by bassist Julian Veronesi and guitarist Adam Reich. The group upped their creative ante with 2015's The Most Lamentable Tragedy, a five-act, 93-minute rock opera about a man struggling with manic depression who encounters his double. (It was also their first album for the respected indie label Merge Records.) Guitarist Liam Betson left Titus Andronicus before The Most Lamentable Tragedy was recorded, and guitarist Jonah Maurer made his debut with them on the album. Stickles took a dramatic creative detour for 2018's A Productive Cough, easing off their rock influences in favor of a rollicking barroom, folk-inspired sound, and the bandmembers were replaced with a crew of 21 musicians. (The album also found Stickles rewriting a Bob Dylan classic on the track "I'm Like a Rolling Stone.") Titus Andronicus returned to a tough rock & roll approach for 2019's An Obelisk, which was produced by Bob Mould. Along with Stickles, the group included the returning Liam Betson on guitar, R.J. Gordon on bass, and Chris Wilson on drums.
In March 2021, Stickles' cousin Matt "Money" Miller, who had played in an embryonic version of the band and whose picture appeared on the cover of A Productive Cough, died at the age of 34. The loss of one of one of his favorite family members had an impact on Stickles, even as he enjoyed time at home with his immediate family and looked after his mental health during the 2020 lockdowns imposed by the COVID-19 pandemic. These mixed emotions informed the 12 songs that would become the 2022 LP The Will to Live, in which Titus Andronicus aimed for an epic sound in the manner of albums like Who's Next and Born in the U.SA. Recorded in Toronto with producer Howard Bilerman, The Will to Live augmented the core lineup of the group with nine guest musicians, including Tim Kingsbury of the Arcade Fire, Tad Kubler of the Hold Steady, and Jake Clemons of Bruce Springsteen's E-Street Band. ~ Mark Deming, Rovi
Titus Andronicus builds repeat engagement among 25-34 & 18-24 audiences throughout UNITED STATES, UNITED KINGDOM, CANADA. With a heavily male (85%) base, campaign framing can lean into status, style, and community. The sharpest reach is on Youtube (14,880 avg views per post), while Instagram provides social proof in comments and saves. Affinities with Ampeg, MOOG, Live Nation point to authentic extensions into streetwear, music platforms, and lifestyle products. Expect work that feels native to the timeline—not bolted on.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 20,157 · Engagements 898 · Rate 4.5% Posts 509 · Views 14,880 · Avg Likes 859 · Avg Comments 46 · Avg Views 14,880 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
25-34: 43% 18-24: 31% 35-44: 16% 45-64: 8% |
Largest: 25-34 (43%); next: 18-24 (31%) |
| Gender Split |
Female: 15% Male: 85% Non-binary/Other: 0% |
Skews male (85%) |
| Top Countries |
UNITED STATES (54%) UNITED KINGDOM (6%) CANADA (4%) ITALY (4%) BRAZIL (4%) |
Top regions: UNITED STATES (54%), UNITED KINGDOM (6%), CANADA (4%) |
| Platform Engagement | Instagram: 537 avg likes/post · Youtube: 14,880 avg views/post | Best reach: Youtube 14,880 avg views; best engagement: Instagram 537 avg likes |
Top Brand Affinities
Ampeg
MOOG
Live Nation
Coors
Pilsner Urquell
Verizon
Amazon Music
Paramount Pictures
Spotify Music
Showtime
Walgreens
Taco Bell
| Brand | Category | Score |
|---|---|---|
| Ampeg | 27.87 | |
| MOOG | 26.02 | |
| Live Nation | 24.86 | |
| Coors | 10.36 | |
| Pilsner Urquell | 8.89 | |
| Verizon | 8.84 | |
| Amazon Music | 8.66 | |
| Paramount Pictures | 7.75 | |
| Spotify Music | 7.53 | |
| Showtime | 6.19 | |
| Walgreens | 6.09 | |
| Taco Bell | 5.69 | |
| Columbia Pictures | 5.64 | |
| Kickstarter | 5.64 | |
| Margaritaville | 5.49 | |
| Jameson | 5.47 | |
| Kroger | 5.35 | |
| Nixon | 5.24 | |
| Ableton | 5.10 | |
| Lollapalooza | 5.07 | |
| Emporium | 4.97 | |
| Bud Light | 4.93 | |
| NHL | 4.86 | |
| Bethesda Softworks | 4.78 | |
| Pacific Northwest Wonderland | 4.58 | |
| Coachella | 4.56 | |
| Hurley | 4.54 | |
| Gatorade | 4.53 | |
| Budweiser | 4.37 | |
| Gillette | 4.35 | |
| Nickelodeon | 4.34 | |
| Guinness | 4.30 | |
| Campari | 4.27 | |
| Tinder | 4.26 | |
| Oculus | 4.13 | |
| Busch | 4.09 | |
| iHeartRadio Music Awards | 4.08 | |
| Airbnb | 4.06 | |
| WWE | 4.04 | |
| SoundCloud | 3.91 | |
| Fallout | 3.80 | |
| Kodak | 3.74 | |
| FedEx | 3.71 | |
| Warner Bros | 3.68 | |
| Holden | 3.68 | |
| Heinz | 3.68 | |
| Pfizer | 3.47 | |
| Cadillac | 3.31 | |
| Polaroid | 3.16 | |
| NBC | 3.03 |
Official Profiles
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Concerts
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|---|---|---|---|---|
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