
The Olivia Tremor Control
Genres
popcollage popnoise popalternativealternative rockindie rockalternativegbvfiamericanelephant 6electroniclo-fifolk & traditionalfreak folk
Influential: 52.13%
Fanbase: 28.18%
Trending: 64.10%
As of: 2025-09-06
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-06
0
Social Media Followers
As of 2025-09-06
00:00:00
Hours Airplay
Scores
Score: DMDB 52.13% |
Fanbase 28.18% |
Trending 64.10% |
CAREER STAGE: MID_LEVEL
Biography
As much a concept as a band, the Olivia Tremor Control was one of the most visible and innovative members of the Elephant 6 collective, a coterie of like-minded, lo-fi indie bands who shared musicians, ideas, and psychedelic sensibilities. Their debut album, 1996's Music from the Unrealized Film Script "Dusk at Cubist Castle, is something of a holy text to fans of the label and its sound, as well as one of the great psych-pop albums of any era. Future records explored darker territory before personal tragedy and health issues cut the band's lifespan tragically short.
The group was led by singers/songwriters/multi-instrumentalists Will Cullen Hart and Bill Doss, natives of the small, isolated town of Ruston, Louisiana, where they struck up friendships with fellow outsiders Robert Schneider (who went on to front the Apples) and Jeff Mangum (the auteur behind Neutral Milk Hotel).
Throughout high school, the aspiring musicians -- all influenced by the likes of the Beatles, the Beach Boys, the Zombies, Pink Floyd, and Sonic Youth -- exchanged home recordings and played in each other's bands. Hart and Doss later attended Louisiana Tech University together, where they tenured as college radio DJs and furthered their musical educations and ambitions. In 1990, Hart, Doss, and Mangum moved to Athens, Georgia, to form the group Cranberry Life Cycle; when Mangum exited, they enlisted John Fernandes and became Synthetic Flying Machine. After Doss' temporary defection to Chocolate USA, Synthetic Flying Machine mutated into the Olivia Tremor Control at much the same time both Schneider and Mangum relocated to Denver, Colorado, to start their own respective projects.
In 1995, the OTC (later fleshed out by "technical advisor" Eric Harris) debuted with the EP California Demise, the first chapter in an ongoing series of high-concept recordings built around the surreal plot of an imaginary film conceived by Hart and Doss. The follow-up 7", "The Giant Day," led directly to the group's 1996 debut double-LP, Music from the Unrealized Film Script "Dusk at Cubist Castle," a sprawling collection of Beatlesque psychedelia, popcraft, and tape loops culled from some 200 unrecorded songs. (The first few thousand copies of the album also included a bonus disc of ambient "dream sequences.") Keyboardist Pete Erchick officially joined prior to 1999's Black Foliage: Animation Music by the Olivia Tremor Control, another epic work that consolidated the group's underground popularity and widened the Elephant 6 cult.
However, breakup rumors swirled around the group during 2000, and it was confirmed that the OTC had gone on at least a temporary hiatus toward the end of the year. In the meantime, the group's earliest recordings -- including California Demise and "The Giant Day" -- were reissued as Singles and Beyond. Both Hart and Doss started new groups -- Circulatory System and the Sunshine Fix, respectively --and began releasing records that had all the psychedelic leanings and pop hooks of OTC. When Hart was diagnosed with multiple sclerosis in 2005, it led to a reunion of the group and they played the All Tomorrow’s Parties festival that year. They also began working on the third Olivia Termor Control record, but Hart's condition slowed the process. Doss' sudden death from an aneurysm in 2012 knocked it off the rails even further, as Hart struggled with his friend's passing. In the years that followed, Schneider stepped in to help finish the recordings and in late November of 2024 two songs -- "The Same Place" and "Garden of Light" -- were released online. Sadly, Hart passed away just as fans of the band began downloading the new songs. ~ Jason Ankeny, Rovi
The group was led by singers/songwriters/multi-instrumentalists Will Cullen Hart and Bill Doss, natives of the small, isolated town of Ruston, Louisiana, where they struck up friendships with fellow outsiders Robert Schneider (who went on to front the Apples) and Jeff Mangum (the auteur behind Neutral Milk Hotel).
Throughout high school, the aspiring musicians -- all influenced by the likes of the Beatles, the Beach Boys, the Zombies, Pink Floyd, and Sonic Youth -- exchanged home recordings and played in each other's bands. Hart and Doss later attended Louisiana Tech University together, where they tenured as college radio DJs and furthered their musical educations and ambitions. In 1990, Hart, Doss, and Mangum moved to Athens, Georgia, to form the group Cranberry Life Cycle; when Mangum exited, they enlisted John Fernandes and became Synthetic Flying Machine. After Doss' temporary defection to Chocolate USA, Synthetic Flying Machine mutated into the Olivia Tremor Control at much the same time both Schneider and Mangum relocated to Denver, Colorado, to start their own respective projects.
In 1995, the OTC (later fleshed out by "technical advisor" Eric Harris) debuted with the EP California Demise, the first chapter in an ongoing series of high-concept recordings built around the surreal plot of an imaginary film conceived by Hart and Doss. The follow-up 7", "The Giant Day," led directly to the group's 1996 debut double-LP, Music from the Unrealized Film Script "Dusk at Cubist Castle," a sprawling collection of Beatlesque psychedelia, popcraft, and tape loops culled from some 200 unrecorded songs. (The first few thousand copies of the album also included a bonus disc of ambient "dream sequences.") Keyboardist Pete Erchick officially joined prior to 1999's Black Foliage: Animation Music by the Olivia Tremor Control, another epic work that consolidated the group's underground popularity and widened the Elephant 6 cult.
However, breakup rumors swirled around the group during 2000, and it was confirmed that the OTC had gone on at least a temporary hiatus toward the end of the year. In the meantime, the group's earliest recordings -- including California Demise and "The Giant Day" -- were reissued as Singles and Beyond. Both Hart and Doss started new groups -- Circulatory System and the Sunshine Fix, respectively --and began releasing records that had all the psychedelic leanings and pop hooks of OTC. When Hart was diagnosed with multiple sclerosis in 2005, it led to a reunion of the group and they played the All Tomorrow’s Parties festival that year. They also began working on the third Olivia Termor Control record, but Hart's condition slowed the process. Doss' sudden death from an aneurysm in 2012 knocked it off the rails even further, as Hart struggled with his friend's passing. In the years that followed, Schneider stepped in to help finish the recordings and in late November of 2024 two songs -- "The Same Place" and "Garden of Light" -- were released online. Sadly, Hart passed away just as fans of the band began downloading the new songs. ~ Jason Ankeny, Rovi
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