The Caracal Project
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-12
23,261
Social Media Followers
As of 2025-09-12
00:00:00
Hours Airplay
2025-12-07 12:10:41 UTC
Genres
Biography
The Caracal Project resonates with 18-24 & 25-34 audiences and sustains presence in UNITED STATES, GERMANY, UNITED KINGDOM. The demographic is heavily male (91%), giving brands permission to be specific without narrowing the funnel. Performance concentrates on Youtube, averaging 2,005 avg views per post; Instagram amplifies the conversation around drops and moments. Affinity adjacency with Ableton, Mixcloud, Phase One maps cleanly into streetwear, music platforms, and lifestyle products. That alignment reduces creative risk and increases the odds of shareable outcomes.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 23,261 · Engagements 1,420 · Rate 6.1% Posts 13 · Views 2,005 · Avg Likes 1,412 · Avg Comments 76 · Avg Views 2,005 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
18-24: 45% 25-34: 40% 35-44: 10% 13-17: 3% |
Largest: 18-24 (45%); next: 25-34 (40%) |
| Gender Split |
Female: 9% Male: 91% Non-binary/Other: 0% |
Skews male (91%) |
| Top Countries |
UNITED STATES (12%) GERMANY (10%) UNITED KINGDOM (10%) FRANCE (8%) SPAIN (8%) |
Top regions: UNITED STATES (12%), GERMANY (10%), UNITED KINGDOM (10%) |
| Platform Engagement | Instagram: 1,314 avg likes/post · Youtube: 2,005 avg views/post | Best reach: Youtube 2,005 avg views; best engagement: Instagram 1,314 avg likes |
Top Brand Affinities
Ableton
Mixcloud
Phase One
Pioneer
MOOG
SoundCloud
Launchpad
Akai
Sennheiser
Tomorrowland
Trancefamily
Pro Tools
| Brand | Category | Score |
|---|---|---|
| Ableton | 106.38 | |
| Mixcloud | 78.90 | |
| Phase One | 67.11 | |
| Pioneer | 59.10 | |
| MOOG | 44.09 | |
| SoundCloud | 43.06 | |
| Launchpad | 25.48 | |
| Akai | 23.91 | |
| Sennheiser | 19.28 | |
| Tomorrowland | 16.46 | |
| Trancefamily | 14.90 | |
| Pro Tools | 14.33 | |
| Atmos | 11.60 | |
| Beats Electronics | 11.20 | |
| Spotify Music | 10.98 | |
| Ricard | 9.89 | |
| Vauxhall | 7.25 | |
| Lollapalooza | 4.50 | |
| Counter-Strike | 4.14 | |
| Warner Bros | 4.13 | |
| Stüssy | 4.08 | |
| Matrix | 4.00 | |
| Coachella | 3.18 | |
| Carhartt | 2.82 | |
| Red Bull | 2.77 | |
| Adobe | 2.49 | |
| BBC | 2.39 | |
| Kodak | 2.14 | |
| Chrysler | 2.08 | |
| Grand Theft Auto | 1.85 | |
| Supreme | 1.81 | |
| The North Face | 1.69 | |
| Vans | 1.69 | |
| Nintendo | 1.58 | |
| GoPro | 1.54 | |
| Sony | 1.53 | |
| Sneakerhead | 1.43 | |
| Polaroid | 1.43 | |
| Fujifilm | 1.39 | |
| Heineken | 1.37 | |
| Guinness | 1.37 | |
| McLaren | 1.28 | |
| Star Wars | 1.25 | |
| Lego | 1.23 | |
| PlayStation | 1.23 | |
| Renault | 1.15 | |
| Ferrari | 1.03 | |
| Nike | 1.00 | |
| Pokemon | 0.99 | |
| Tesla Motors | 0.98 |
Official Profiles
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LoginArtist: The Caracal Project
The map shows every radio station that aired The Caracal Project today. Use the controls to highlight stations with the most or least airtime.
Top 10 Songs Played Today
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Total Streams (2025-09-03)
Total: 116,752
| PLATFORM | TOTAL | % | |
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113,811 | 97.48% |
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2,941 | 2.52% |
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Concerts
Upcoming events from today (UTC) to the next 6 months.
| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| No upcoming concerts found. | ||||















