The Brian Jonestown Massacre
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-10
106,787
Social Media Followers
As of 2025-09-10
00:00:00
Hours Airplay
2025-12-07 20:55:38 UTC
Genres
Biography
Named in tribute to the legendary Rolling Stones guitarist and his influence in introducing Eastern culture and music into the world of Western rock & roll, the Brian Jonestown Massacre formed in San Francisco in 1990. Some 40 different members passed through the group's ranks over the next half-decade, but the focal point always remained singer/guitarist Anton Newcombe, who, along with stalwart bassist Matt Hollywood and several others, recorded the band's 1995 shoegaze-influenced debut LP, Methodrone. A collection of early recordings, Spacegirl and Other Favorites, followed on the group's own Tangible label in early 1996, and was the first of four BJM LPs to appear that year; next up was the brilliant Their Satanic Majesties' Second Request, a full-blown homage to the Stones' glorious psychedelic-era excesses. Recorded live in the studio, the grittier Take It from the Man! found the band exploring even broader territory. Finally, the year ended with the release of Thank God for Mental Illness, a showcase for their strong country and blues leanings.
In 1997, the BJM resurfaced with Give It Back! After signing to TVT, they released Strung Out in Heaven the following year, but the band and Newcombe's own eccentricities kept them from staying on the label. After a few scattered EPs, they resurfaced in 2001 with Bravery Repetition and Noise, distributed by Bomp. And This Is Our Music followed in 2003. Despite a continued lack of major distribution, the BJM earned the largest profile of their career in 2004, when they became the unlikely focus of an award-winning documentary, DIG!, which charted the trials of Newcombe and those of his former friend and perceived rival, Courtney Taylor-Taylor, leader of the Dandy Warhols. The We Are the Radio EP followed in August 2005. Three years later, the band reinvented itself with My Bloody Underground, featuring yet another lineup and a hint of shoegaze and noise pop, and marking the first release for Newcombe's own A Records label. The noisy experimentalism continued on 2010's Who Killed Sgt Pepper?, which Newcombe recorded partly in Iceland and Berlin.
By this time, DIG! was fast becoming a cult classic, and even though the lineup had changed many times over since the movie premiere, the BJM's popularity remained thanks to a bevy of solid releases. In 2012, Newcombe and Matt Hollywood teamed up again to record what he considered his most cinematic record, Aufheben. In 2014, the project's 14th full-length album, Revelation, materialized, featuring tracks toiled over in Newcombe's Berlin studio between 2012 and 2014. In 2015, Newcombe returned to the themes of Aufheben with Musique de Film Imaginé, a collection of soundtrack cues for a nonexistent movie, inspired by his love of classic French cinema. A seven-song collection of new, more rock-based material arrived later that year under the amusing title of Mini Album Thingy Wingy. Ever prolific, Newcombe and his collaborators returned first in October 2016 with the lush psych-shoegaze LP Third World Pyramid, followed four months later by Don't Get Lost, their 16th LP overall. Something Else, the first of two albums released in 2018, found the BJM eschewing some of the experimentalism of their later period in favor of a more straightforward rock approach akin to their early releases. The band's 18th album, the eponymously titled The Brian Jonestown Massacre, arrived in 2019, as did the non-album single "Forgotten Graves."
During the early part of the global pandemic, the band remained relatively quiet, releasing only the 2021 single "Before You Forget." A year later, Newcombe announced he had two full-length albums finished and released Fire Doesn't Grow on Trees in June 2022. Originally slated for release a few months later, BJM's next set, Your Future Is Your Past, eventually came out in February 2023. A surprisingly resilient collection, it was built around bootstrapping anthems of empowerment. ~ Jason Ankeny, Rovi
The Brian Jonestown Massacre commands interest from 25-34 & 18-24 audiences in UNITED STATES, UNITED KINGDOM, AUSTRALIA. With a heavily male (71%) base, collaborations tied to style, access, or drops tend to land. Youtube delivers predictable visibility (39,529 avg views per post); Instagram delivers the receipts in replies and shares. Affinity overlap with Ampeg, MOOG, Mixcloud points squarely at streetwear, music platforms, and lifestyle products. Expect awareness that shows up in the comments—not just in the reports.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 106,787 · Engagements 2,466 · Rate 2.3% Posts 2,635 · Views 39,529 · Avg Likes 2,445 · Avg Comments 67 · Avg Views 39,529 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
25-34: 40% 18-24: 27% 35-44: 21% 45-64: 8% |
Largest: 25-34 (40%); next: 18-24 (27%) |
| Gender Split |
Female: 29% Male: 71% Non-binary/Other: 0% |
Skews male (71%) |
| Top Countries |
UNITED STATES (33%) UNITED KINGDOM (11%) AUSTRALIA (9%) GERMANY (7%) FRANCE (5%) |
Top regions: UNITED STATES (33%), UNITED KINGDOM (11%), AUSTRALIA (9%) |
| Platform Engagement | Instagram: 2,207 avg likes/post · Youtube: 39,529 avg views/post | Best reach: Youtube 39,529 avg views; best engagement: Instagram 2,207 avg likes |
Top Brand Affinities
Ampeg
MOOG
Mixcloud
Fred Perry
Akai
Ableton
Vivienne Westwood
Pro Tools
Spotify Music
Tate Modern
Kodak
Volcom
| Brand | Category | Score |
|---|---|---|
| Ampeg | 57.99 | |
| MOOG | 47.02 | |
| Mixcloud | 23.61 | |
| Fred Perry | 15.55 | |
| Akai | 11.96 | |
| Ableton | 8.87 | |
| Vivienne Westwood | 8.30 | |
| Pro Tools | 7.67 | |
| Spotify Music | 7.54 | |
| Tate Modern | 6.66 | |
| Kodak | 5.80 | |
| Volcom | 5.68 | |
| Carlsberg | 5.62 | |
| SoundCloud | 5.23 | |
| Pilsner Urquell | 4.60 | |
| Dr. Martens | 4.37 | |
| Columbia Pictures | 4.19 | |
| Polaroid | 4.09 | |
| Warner Bros | 4.06 | |
| Olympus | 4.01 | |
| Leica | 3.89 | |
| Lollapalooza | 3.79 | |
| Coors | 3.49 | |
| Paramount Pictures | 3.41 | |
| Campari | 3.26 | |
| Guinness | 3.26 | |
| Jaguar | 3.16 | |
| Tinder | 3.07 | |
| BBC | 3.03 | |
| Showtime | 3.01 | |
| MTV | 2.94 | |
| Nickelodeon | 2.87 | |
| Carhartt | 2.76 | |
| Comedy Central | 2.76 | |
| Coachella | 2.70 | |
| Emporium | 2.65 | |
| Cadillac | 2.49 | |
| Lush | 2.48 | |
| Beats Electronics | 2.47 | |
| Snoopy And The Peanuts Gang | 2.42 | |
| Fujifilm | 2.41 | |
| Tesco | 2.34 | |
| Philips | 2.12 | |
| Harley-Davidson | 2.10 | |
| Budweiser | 2.00 | |
| Star Wars | 1.93 | |
| Airbnb | 1.82 | |
| Vans | 1.79 | |
| Pepsi | 1.58 | |
| Jack Daniels | 1.58 |
Official Profiles
Login to view Contact
LoginArtist: The Brian Jonestown Massacre
The map shows every radio station that aired The Brian Jonestown Massacre today. Use the controls to highlight stations with the most or least airtime.
Top 10 Songs Played Today
- Radio airplay data is being collected. Please check back soon.
Total Streams
No streaming audience data is available for this artist yet.
Concerts
Upcoming events from today (UTC) to the next 6 months.
| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| 2026-03-17 07:00 UTC | The Brian Jonestown Massacre | The Powerstation | Gladstone, Australia | |
| 2026-03-18 02:00 UTC | The Brian Jonestown Massacre | Powerstation | Auckland, New Zealand | |
| 2026-03-20 03:00 UTC | The Brian Jonestown Massacre | Enmore Theatre | Sydney, Australia | |
| 2026-03-20 07:00 UTC | The Brian Jonestown Massacre | King Street | Newcastle, Australia | |
| 2026-03-21 02:00 UTC | The Brian Jonestown Massacre | King Street Hotel | Newcastle, Australia | |
| 2026-03-22 03:00 UTC | The Brian Jonestown Massacre | The Tivoli | Fortitude Valley, Australia | |
| 2026-03-23 02:00 UTC | The Brian Jonestown Massacre | The Gov | Adelaide, Australia | |
| 2026-03-27 02:00 UTC | The Brian Jonestown Massacre | Odeon Theatre | Hobart, Australia | |
| 2026-03-28 02:00 UTC | The Brian Jonestown Massacre | Northcote Theatre | Melbourne, Australia | |
| 2026-03-29 02:00 UTC | The Brian Jonestown Massacre | Northcote Theatre | Melbourne, Australia | |
| 2026-03-29 07:00 UTC | The Brian Jonestown Massacre | Theatre Royal, Castlemaine - Cinema | Castlemaine, Australia | |
| 2026-03-30 02:00 UTC | The Brian Jonestown Massacre | Theatre Royal | Castlemaine, Australia | |
| 2026-04-01 02:00 UTC | The Brian Jonestown Massacre | Magnet House | Perth, Australia |















