The Brian Jonestown Massacre

The Brian Jonestown Massacre

Country: US

Influence: 60.64% Fanbase: 47.16% Trending: 67.38% Career Level: Mainstream

Top Brand Affinity

Highest overlapping lifestyle brand

Ampeg • 57.99% • Very Strong

As of 2025-09-10

106,787

Social Media Followers

As of 2025-09-10

00:00:00

Hours Airplay

2025-12-07 20:55:38 UTC

Genres

jazz & standardsbay area indierockneo-psychedelicrockgarage rockpsychedelic rockalternativealternative rockindie rockshoegazefolk & traditionalfreak folk

Biography

The ever-evolving musical vehicle for notorious psych-rock musician Anton Newcombe, the Brian Jonestown Massacre has endured numerous phases and iterations since arriving in the mid-'90s, becoming something of an independent institution in the process. Early highlights like 1996's Their Satanic Majesties' Second Request showed Newcombe's propensity for melding late-'60s psychedelia with textured shoegaze, while later standouts like 2015's imaginary soundtrack Musique de Film Imaginé took a more cerebral and experimental approach. Undoubtedly, the band's most visible period followed the release of the 2004 documentary film DIG!, which focused on the contentious relationship between Newcombe and Dandy Warhols frontman Courtney Taylor-Taylor. With the film criticized by members of both groups for what they considered to be an unfair portrayal, the Brian Jonestown Massacre nonetheless survived the media attention and moved into a particularly fertile period of creativity throughout the 2010s. The band's first release of the next decade was 2022's Fire Doesn't Grow on Trees, quickly followed by 2023's Your Future Is Your Past.

Named in tribute to the legendary Rolling Stones guitarist and his influence in introducing Eastern culture and music into the world of Western rock & roll, the Brian Jonestown Massacre formed in San Francisco in 1990. Some 40 different members passed through the group's ranks over the next half-decade, but the focal point always remained singer/guitarist Anton Newcombe, who, along with stalwart bassist Matt Hollywood and several others, recorded the band's 1995 shoegaze-influenced debut LP, Methodrone. A collection of early recordings, Spacegirl and Other Favorites, followed on the group's own Tangible label in early 1996, and was the first of four BJM LPs to appear that year; next up was the brilliant Their Satanic Majesties' Second Request, a full-blown homage to the Stones' glorious psychedelic-era excesses. Recorded live in the studio, the grittier Take It from the Man! found the band exploring even broader territory. Finally, the year ended with the release of Thank God for Mental Illness, a showcase for their strong country and blues leanings.

In 1997, the BJM resurfaced with Give It Back! After signing to TVT, they released Strung Out in Heaven the following year, but the band and Newcombe's own eccentricities kept them from staying on the label. After a few scattered EPs, they resurfaced in 2001 with Bravery Repetition and Noise, distributed by Bomp. And This Is Our Music followed in 2003. Despite a continued lack of major distribution, the BJM earned the largest profile of their career in 2004, when they became the unlikely focus of an award-winning documentary, DIG!, which charted the trials of Newcombe and those of his former friend and perceived rival, Courtney Taylor-Taylor, leader of the Dandy Warhols. The We Are the Radio EP followed in August 2005. Three years later, the band reinvented itself with My Bloody Underground, featuring yet another lineup and a hint of shoegaze and noise pop, and marking the first release for Newcombe's own A Records label. The noisy experimentalism continued on 2010's Who Killed Sgt Pepper?, which Newcombe recorded partly in Iceland and Berlin.

By this time, DIG! was fast becoming a cult classic, and even though the lineup had changed many times over since the movie premiere, the BJM's popularity remained thanks to a bevy of solid releases. In 2012, Newcombe and Matt Hollywood teamed up again to record what he considered his most cinematic record, Aufheben. In 2014, the project's 14th full-length album, Revelation, materialized, featuring tracks toiled over in Newcombe's Berlin studio between 2012 and 2014. In 2015, Newcombe returned to the themes of Aufheben with Musique de Film Imaginé, a collection of soundtrack cues for a nonexistent movie, inspired by his love of classic French cinema. A seven-song collection of new, more rock-based material arrived later that year under the amusing title of Mini Album Thingy Wingy. Ever prolific, Newcombe and his collaborators returned first in October 2016 with the lush psych-shoegaze LP Third World Pyramid, followed four months later by Don't Get Lost, their 16th LP overall. Something Else, the first of two albums released in 2018, found the BJM eschewing some of the experimentalism of their later period in favor of a more straightforward rock approach akin to their early releases. The band's 18th album, the eponymously titled The Brian Jonestown Massacre, arrived in 2019, as did the non-album single "Forgotten Graves."

During the early part of the global pandemic, the band remained relatively quiet, releasing only the 2021 single "Before You Forget." A year later, Newcombe announced he had two full-length albums finished and released Fire Doesn't Grow on Trees in June 2022. Originally slated for release a few months later, BJM's next set, Your Future Is Your Past, eventually came out in February 2023. A surprisingly resilient collection, it was built around bootstrapping anthems of empowerment. ~ Jason Ankeny, Rovi

The Brian Jonestown Massacre Marketing Affinity & Brand Fit Data

Report Date: 2025-09-10

The Brian Jonestown Massacre commands interest from 25-34 & 18-24 audiences in UNITED STATES, UNITED KINGDOM, AUSTRALIA. With a heavily male (71%) base, collaborations tied to style, access, or drops tend to land. Youtube delivers predictable visibility (39,529 avg views per post); Instagram delivers the receipts in replies and shares. Affinity overlap with Ampeg, MOOG, Mixcloud points squarely at streetwear, music platforms, and lifestyle products. Expect awareness that shows up in the comments—not just in the reports.

Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.

ER = (likes + comments + shares) ÷ audience per post ≥ 3.0% = Very Strong 2.0–2.99% = Strong 1.0–1.99% = Moderate < 1.0% = Low
How to read it: Pair ER with reach (views/followers) to gauge intensity and scale.
Connection Strength
Artist The Brian Jonestown Massacre score 2.31%Strong bucket.
Brand: AmpegBrand: MOOGBrand: Mixcloud
Followers:106,787
Engagements:2,466
Rate:2.3%
Posts:2,635
Views:39,529
Avg Likes:2,445
Avg Comments:67
Avg Views:39,529

Audience Demographics & Key Stats

MetricValueWhy It Matters
Social Snapshot Followers 106,787 · Engagements 2,466 · Rate 2.3%
Posts 2,635 · Views 39,529 · Avg Likes 2,445 · Avg Comments 67 · Avg Views 39,529
Combine reach (followers/views) with ER to size both impact and responsiveness.
Age Breakdown 25-34: 40%
18-24: 27%
35-44: 21%
45-64: 8%
Largest: 25-34 (40%); next: 18-24 (27%)
Gender Split Female: 29%
Male: 71%
Non-binary/Other: 0%
Skews male (71%)
Top Countries UNITED STATES (33%)
UNITED KINGDOM (11%)
AUSTRALIA (9%)
GERMANY (7%)
FRANCE (5%)
Top regions: UNITED STATES (33%), UNITED KINGDOM (11%), AUSTRALIA (9%)
Platform Engagement Instagram: 2,207 avg likes/post · Youtube: 39,529 avg views/post Best reach: Youtube 39,529 avg views; best engagement: Instagram 2,207 avg likes

Top Brand Affinities

Ampeg
Score: 57.99
MOOG
Score: 47.02
Mixcloud
Score: 23.61
Fred Perry
Score: 15.55
Akai
Score: 11.96
Ableton
Score: 8.87
Vivienne Westwood
Score: 8.30
Pro Tools
Score: 7.67
Spotify Music
Score: 7.54
Tate Modern
Score: 6.66
Kodak
Score: 5.80
Volcom
Score: 5.68
Brand Category Score
Ampeg 57.99
MOOG 47.02
Mixcloud 23.61
Fred Perry 15.55
Akai 11.96
Ableton 8.87
Vivienne Westwood 8.30
Pro Tools 7.67
Spotify Music 7.54
Tate Modern 6.66
Kodak 5.80
Volcom 5.68
Carlsberg 5.62
SoundCloud 5.23
Pilsner Urquell 4.60
Dr. Martens 4.37
Columbia Pictures 4.19
Polaroid 4.09
Warner Bros 4.06
Olympus 4.01
Leica 3.89
Lollapalooza 3.79
Coors 3.49
Paramount Pictures 3.41
Campari 3.26
Guinness 3.26
Jaguar 3.16
Tinder 3.07
BBC 3.03
Showtime 3.01
MTV 2.94
Nickelodeon 2.87
Carhartt 2.76
Comedy Central 2.76
Coachella 2.70
Emporium 2.65
Cadillac 2.49
Lush 2.48
Beats Electronics 2.47
Snoopy And The Peanuts Gang 2.42
Fujifilm 2.41
Tesco 2.34
Philips 2.12
Harley-Davidson 2.10
Budweiser 2.00
Star Wars 1.93
Airbnb 1.82
Vans 1.79
Pepsi 1.58
Jack Daniels 1.58

Official Profiles

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Artist: The Brian Jonestown Massacre

Date Range: 2025-12-07 → 2025-12-07
Total Airplay Time: 0h 0m 0s across 0 Radio Stations

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Concerts

Upcoming events from today (UTC) to the next 6 months.

Date/Time (UTC) Event Venue Location Tickets
2026-03-17 07:00 UTC The Brian Jonestown Massacre The Powerstation Gladstone, Australia
2026-03-18 02:00 UTC The Brian Jonestown Massacre Powerstation Auckland, New Zealand
2026-03-20 03:00 UTC The Brian Jonestown Massacre Enmore Theatre Sydney, Australia
2026-03-20 07:00 UTC The Brian Jonestown Massacre King Street Newcastle, Australia
2026-03-21 02:00 UTC The Brian Jonestown Massacre King Street Hotel Newcastle, Australia
2026-03-22 03:00 UTC The Brian Jonestown Massacre The Tivoli Fortitude Valley, Australia
2026-03-23 02:00 UTC The Brian Jonestown Massacre The Gov Adelaide, Australia
2026-03-27 02:00 UTC The Brian Jonestown Massacre Odeon Theatre Hobart, Australia
2026-03-28 02:00 UTC The Brian Jonestown Massacre Northcote Theatre Melbourne, Australia
2026-03-29 02:00 UTC The Brian Jonestown Massacre Northcote Theatre Melbourne, Australia
2026-03-29 07:00 UTC The Brian Jonestown Massacre Theatre Royal, Castlemaine - Cinema Castlemaine, Australia
2026-03-30 02:00 UTC The Brian Jonestown Massacre Theatre Royal Castlemaine, Australia
2026-04-01 02:00 UTC The Brian Jonestown Massacre Magnet House Perth, Australia

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