Cradle of Filth
Genres
metalalternative metalnu metalmetaldeath metalblack metalgothic metalbritish black metalsymphonic black metalgothic black metal
Influential: 62.23%
Fanbase: 52.45%
Trending: 67.13%
Report Date: 2025-08-21
0
Total Streams
700,481
Social Media Followers
00:00:00
Hours Airplay
Scores
Score: DMDB 62.23% |
Fanbase 52.45% |
Trending 67.13% |
CAREER STAGE: MAINSTREAM
Biography
Formed in 1991, Cradle of Filth started as a black metal band but evolved to incorporate elements of gothic and symphonic metal. With international chart-topping albums like Damnation and a Day (2003) and Existence Is Futile (2021), the British extreme metal institution has undergone numerous lineup changes over the years, with vocalist Dani Filth remaining a constant presence. Their sound shifted towards a more commercial approach, as seen in successful releases like Thornography (2006) and Hammer of the Witches (2015).
Through a series of lineup changes, Cradle of Filth continued to refine their sound and stage theatrics over the years. With albums like Dusk and Her Embrace (1996) and Nymphetamine (2004), the band established a strong cult following known for their elaborate live performances. Following the release of their 13th album, Existence Is Futile, in 2021, the group faced the loss of former guitarist Stuart Antsis, who passed away in 2022. Recorded with longtime collaborator Scott Atkins, the album explores themes of existential dread and marked the band's first release featuring new keyboardist/backing vocalist Anabelle Iratni.
Through a series of lineup changes, Cradle of Filth continued to refine their sound and stage theatrics over the years. With albums like Dusk and Her Embrace (1996) and Nymphetamine (2004), the band established a strong cult following known for their elaborate live performances. Following the release of their 13th album, Existence Is Futile, in 2021, the group faced the loss of former guitarist Stuart Antsis, who passed away in 2022. Recorded with longtime collaborator Scott Atkins, the album explores themes of existential dread and marked the band's first release featuring new keyboardist/backing vocalist Anabelle Iratni.
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Report Date: 2025-08-21
Artist Affinity estimates how strongly an artist’s audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
ER = (likes + comments + shares) ÷ audience per post
≥ 3.0% = Very Strong
2.0–2.99% = Strong
1.0–1.99% = Moderate
< 1.0% = Low
How to read it: Higher ER means a tighter, more responsive fan connection.
Pair ER with reach (views/followers) to gauge both intensity and scale. Spikes can occur during
viral moments—use 30–90 day averages for steadier context.
Connection Strength
Artist Cradle of Filth score
0.78% — Low bucket.
Brand: Impericon
Brand: Ampeg
Brand: The Last of Us
Followers:700,481
Engagements:5,494
Rate:0.8%
Posts:4,054
Views:260,635
Avg Likes:5,234
Avg Comments:259
Avg Views:260,635
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 700,481 · Engagements 5,494 · Rate 0.8% Posts 4,054 · Views 260,635 · Avg Likes 5,234 · Avg Comments 259 · Avg Views 260,635 |
Combine reach (followers / views) with ER to size both impact and responsiveness; posts show cadence, likes/comments/avg views proxy content quality. |
| Age Breakdown |
25-34: 44% 18-24: 38% 35-44: 13% 45-64: 3% |
Largest: 25-34 (44%); next: 18-24 (38%) |
| Gender Split |
Female: 26% Male: 74% Non-binary/Other: 0% |
Skews male (74%) |
| Top Countries |
UNITED STATES (21%) BRAZIL (7%) RUSSIA (7%) MEXICO (5%) COLOMBIA (5%) |
Top regions: UNITED STATES (21%), BRAZIL (7%), RUSSIA (7%) |
| Platform Engagement | Instagram: 2,117 avg likes/post · Tiktok: 0 avg views/post · Youtube: 260,635 avg views/post | Best reach: Youtube 260,635 avg views; best engagement: Youtube 3,117 avg likes |
Top Brand Affinities
Impericon
Score: 59.99
Ampeg
Score: 28.47
The Last of Us
Score: 11.63
Tattoodo
Score: 10.92
Sennheiser
Score: 10.58
Resident Evil
Score: 9.28
Capcom
Score: 8.58
God of War
Score: 8.25
Hot Topic
Score: 8.18
Diablo
Score: 8.02
Amazon Music
Score: 7.84
Pro Tools
Score: 7.73
Top Brand Affinities
| Brand | Category | Score |
|---|---|---|
| Impericon | 59.99 | |
| Ampeg | 28.47 | |
| The Last of Us | 11.63 | |
| Tattoodo | 10.92 | |
| Sennheiser | 10.58 | |
| Resident Evil | 9.28 | |
| Capcom | 8.58 | |
| God of War | 8.25 | |
| Hot Topic | 8.18 | |
| Diablo | 8.02 | |
| Amazon Music | 7.84 | |
| Pro Tools | 7.73 | |
| Mortal Kombat | 7.60 | |
| World of Warcraft | 7.47 | |
| Stella Artois | 7.43 | |
| Fallout | 6.90 | |
| The Witcher | 6.89 | |
| Final Fantasy | 6.20 | |
| Columbia Pictures | 5.99 | |
| Jack Daniels | 5.29 | |
| MATTEL | 5.25 | |
| Movistar | 5.24 | |
| AMC | 5.08 | |
| Monster Beverage | 4.85 | |
| Bandai Namco | 4.81 | |
| Bethesda Softworks | 4.45 | |
| Gundam | 4.24 | |
| Spotify Music | 4.21 | |
| Sega | 4.09 | |
| Comedy Central | 3.98 | |
| Star Wars | 3.74 | |
| MTV | 3.43 | |
| Lollapalooza | 3.32 | |
| WWE | 3.15 | |
| Dr. Martens | 3.11 | |
| Activision Blizzard | 3.03 | |
| Budweiser | 2.88 | |
| PlayStation | 2.85 | |
| Paramount Pictures | 2.80 | |
| Nintendo | 2.80 | |
| NHL | 2.80 | |
| Nickelodeon | 2.77 | |
| HBO | 2.72 | |
| Matrix | 2.65 | |
| Warner Bros | 2.60 | |
| Pokemon Go | 2.44 | |
| DC Entertainment | 2.43 | |
| Xbox | 2.39 | |
| Ubisoft | 2.37 | |
| Faber-Castell | 2.36 |
Total Streams (2025-08-24)
Total: 0 — Est. Royalty: $0.00
| Platform | Total | Royalty ($) | % | |
|---|---|---|---|---|
| [+] |
Anghami |
0 | 0.00 | 0.00% |
| [+] |
Audiomack |
0 | 0.00 | 0.00% |
| [+] |
Jiosaavn |
0 | 0.00 | 0.00% |
| [+] |
Last.fm |
0 | 0.00 | 0.00% |
| [+] |
Pandora |
0 | 0.00 | 0.00% |
| [+] |
Spotify |
0 | 0.00 | 0.00% |
| [+] |
Tidal |
0 | 0.00 | 0.00% |
| [+] |
Yandex |
0 | 0.00 | 0.00% |
| [+] |
YouTube Artist |
0 | 0.00 | 0.00% |
Radio Spins (2025-08-24)
| Aired At | Song | Station | Location | Duration (s) |
|---|---|---|---|---|
| No spins for today. | ||||
Popularity (2025-08-23)
| Platform | % |
|---|---|
| No data. | |
Daily Report: 2025-08-22 ? 2025-08-23
Streams: 0 ? 0 (+0.00%)
Royalties: $0.00 ? $0.00 (+0.00)
Audience Growth (followers)
| Platform | 2025-08-22 | 2025-08-23 | Change |
|---|
Popularity Change (%)
| Platform | 2025-08-22 | 2025-08-23 | Change |
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Streaming Audience Growth
| Platform | 2025-08-22 | 2025-08-23 | Change |
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Radio Airplay Change (min)
| Song | 2025-08-22 | 2025-08-23 | Change |
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Streams & Royalties
| Metric | 2025-08-22 | 2025-08-23 | Change |
|---|---|---|---|
| Streams | 0 | 0 | +0 |
| Royalties | $0.00 | $0.00 | +0.00 |