Bijelo dugme
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-10
140,000
Social Media Followers
As of 2025-09-10
00:00:00
Hours Airplay
Updated 2025-10-03 19:00:04 UTC
Genres
Scores
Biography
Goran Bregović, alongside the charismatic Željko Bebek, defined the path of Bijelo Dugme. Bebek, known for his powerful vocals and occasional bass guitar skills, became a symbol of the band. Despite his occasional dissatisfaction, Bebek stood by Bregović through the band's most glorious and difficult days, solidifying their place in the rock scene.
Bijelo dugme is a clear fit for 18-24 & 25-34 audiences with strength across SERBIA, BOSNIA & HERZEGOVINA, CROATIA. The audience is heavily male (67%), so messaging can confidently lean into identity, fashion, and status. Youtube remains the best top-of-funnel driver (79,097 avg views per post); Youtube builds the community layer. Affinity data highlights leading lifestyle names, suggesting immediate traction in streetwear, music platforms, and lifestyle products. The upside is culture-first creative with measurable lift.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 140,000 · Engagements 392 · Rate 0.3% Posts 210 · Views 79,097 · Avg Likes 373 · Avg Comments 20 · Avg Views 79,097 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
18-24: 33% 25-34: 32% 35-44: 18% 45-64: 12% |
Largest: 18-24 (33%); next: 25-34 (32%) |
| Gender Split |
Female: 33% Male: 67% Non-binary/Other: 0% |
Skews male (67%) |
| Top Countries |
SERBIA (28%) BOSNIA & HERZEGOVINA (16%) CROATIA (14%) NORTH MACEDONIA (6%) GERMANY (4%) |
Top regions: SERBIA (28%), BOSNIA & HERZEGOVINA (16%), CROATIA (14%) |
| Platform Engagement | Youtube: 79,097 avg views/post | Best reach: Youtube 79,097 avg views; best engagement: Youtube 373 avg likes |
Top Brand Affinities
| Brand | Category | Score |
|---|---|---|
|
Affinity data is not available yet for this artist.
Use the “Open Full Social Media Report” button above to view current social stats.
|
||
Official Profiles
Login to view Contact
LoginArtist: Bijelo dugme
The map shows every radio station that aired Bijelo dugme today. Use the controls to highlight stations with the most or least airtime.
Top 10 Songs Played Today
- Radio airplay data is being collected. Please check back soon.
Total Streams
No streaming audience data is available for this artist yet.
Radio Spins (2025-08-23)
Showing spins for the UTC day. If the current UTC day has no spins yet, we display the most recent day with activity.
| Aired At | Song | Station | Location | Duration (s) |
|---|---|---|---|---|
| 2025-08-23 03:44:41 | Die Kanone (feat. Bijelo Dugme) | LRT Opus | Vilnius, LT | 174 |
| 2025-08-23 01:50:32 | Sve Će To Mila Moja Prekriti Ruzmarin, Snjegovi I Šaš (Abbey Road Remastered 2014) | bravo! | Zagreb, HR | 457 |
| 2025-08-23 01:32:14 | Nakon svih ovih godina | Radio Pula | Pula, HR | 275 |
| 2025-08-23 01:32:13 | Nakon svih ovih godina | HR Radio Dubrovnik | Dubrovnik, HR | 276 |
| 2025-08-23 01:32:12 | Nakon svih ovih godina | HR1 - Prvi program | Zagreb, HR | 277 |
| 2025-08-23 01:32:11 | Nakon svih ovih godina | Radio Split | Split, HR | 276 |
| 2025-08-23 01:27:44 | Bitanga I Princeza (Single) (Abbey Road Remastered 2014) | Antena Zagreb | Zagreb, HR | 217 |
Popularity (2025-10-02)
| Platform | % |
|---|---|
| No data. | |