Almir Sater rose to prominence in the 1980s as an accomplished violeiro in the caipira music genre, drawing inspiration from the traditional sounds of Mato Grosso. His doleful compositions and collaborations with notable Brazilian artists like Paulo Simões and Geraldo Espíndola resonated with urban audiences seeking a romanticized connection to nature. Sater's fusion of caipira traditions with American folk influences, reminiscent of Bob Dylan, propelled him to success, highlighted by his mainstream popularity through appearances in popular soap operas like Pantanal and Ana Raio e Zé Trovão.

Sater's musical journey began with a move to São Paulo in 1979, where he immersed himself in the vibrant music scene alongside fellow artists like Tetê Espíndola and Diana Pequeno. His early solo works, including albums like Almir Sater and Doma, showcased his talent and collaborations with renowned lyricists like Paulo Simões. Sater's foray into country music with the album Rasta Bonito and his involvement in hit soap operas solidified his status as a mainstream artist in Brazil, known for his evocative compositions and soulful performances that continue to captivate audiences.