A. N. Others, the pseudonym often used in academic writing to denote anonymous or unspecified authors, represents a longstanding tradition in scholarly literature. This practice allows for the inclusion of various contributors without attributing individual names, ensuring a focus on the content rather than the author's identity. While some critics argue that using this placeholder diminishes accountability and transparency, others view it as a practical solution for collaborative works or when authorship is less relevant to the discussion.

In the realm of music, the concept of anonymity has also been explored artistically, with some musicians adopting pseudonyms or hiding their identities to create mystique or challenge traditional notions of fame. From electronic artists like Burial to enigmatic figures like the Residents, the use of anonymity in music can add an intriguing layer to the listening experience, sparking curiosity and speculation among fans and critics alike. Whether in academia or the arts, the notion of A. N. Others serves as a reminder of the complex relationship between authorship, identity, and interpretation in creative and intellectual endeavors.