Venom
Top Brand Affinity
Highest overlapping lifestyle brand
As of 2025-09-08
21,841
Social Media Followers
As of 2025-09-08
00:00:00
Hours Airplay
2025-12-07 11:46:31 UTC
Genres
Biography
Formed in 1978 in Newcastle, England, Venom went through some structural changes before settling on a core trio comprising singer/bassist Conrad "Cronos" Lant, guitarist Jeff "Mantas" Dunn, and drummer Tony "Abaddon" Bray. Drawing inspiration from a versatile array of artists including Black Sabbath, Judas Priest, Sex Pistols, the Who, the Tubes, and Elvis Presley, the band eschewed technical prowess in favor of kinetic power, employing a savagely fast style of sonic deviltry that had as much in common with hardcore punk as it did heavy metal -- despite their lyrical and visual obsession with the devil, the group has consistently stated that they prefer shock value over actual Satanism. Venom issued their debut album, Welcome to Hell, in 1981 via Neat Records. Rough, noisy, and spilling over with evil intent, the LP, and its like-minded follow-up Black Metal (1982), helped pave the way for death metal and thrash -- neither album was a commercial juggernaut, but they have since been deemed canonical by the heavy metal community. At War with Satan, a concept album about a war between heaven and hell (guess who wins), arrived in 1983, followed in 1985 by the more streamlined Possessed -- the title track managed to make its way onto the Parent Music Resource Center's "Filthy Fifteen" list. Both albums flirted with mainstream success, but Venom's frenetic take on the genre was being perfected by then-up-and-coming acts like Slayer, Megadeth, and Metallica, the latter of whom were opening for Venom just a few years earlier.
Mantas left the group in the wake of 1986's live Eine Kleine Nachtmusik, making way for guitarists Matt Hickey and Jimmy Clare, both of whom made their studio debut on 1987's Calm Before the Storm. Lineup changes would continue to plague the band into the next decade, with Cronos opting out before the release of 1989's Prime Evil, and taking Hickey and Clare with him to mount a solo career. The album featured a crew consisting of Abaddon, ex-Atomkraft vocalist/bassist Tony "The Demolition Risk" Dolan, guitarist Al Barnes, and a returning Mantas. This new version of Venom -- minus Barnes, who was replaced by guitarist Steve "War Maniac" White -- cranked out two more albums, Temples of Ice (1991) and The Waste Lands (1992), both of which disappeared below the radar, due in large part to the burgeoning grunge and alternative rock scenes. The trio of Mantas, Abaddon, and Dolan continued touring throughout the middle of the decade, although no new studio recordings were forthcoming.
The return of Cronos in 1996 caused fans to rejoice and Dolan to bolt, and yielded 1997's Cast in Stone, the first Venom album in 12 years to feature the original lineup -- the group's full-length return to action was heralded by the release of the EP Venom '96. The reunion was short-lived, however, as after a world tour in support of the LP, Abaddon left the group. Cronos enlisted his brother Antony "Antton" Lant to get behind the kit on album number ten, 2000's Resurrection. Antton would stay on for 2006's Metal Black and 2008's Hell, but the departure of Abbadon, along with a rotating cast of guitarists, left Cronos the sole remaining founding member of the group. To make things even more complicated, in 2014 Jeff "Mantas" Dunn, Tony "Demolition Man" Dolan, and Tony "Abaddon" Bray began their own project called Venom Inc., and released their debut album, Avé, in 2017 via Nuclear Blast. Cronos' Venom, which now included guitarist La Rage and drummer Dante, inked a deal with Spinefarm and released 2011's Fallen Angels. Venom's 14th full-length, From the Very Depths, was issued in 2015, with Storm the Gates arriving three years later. The following year saw BMG issue In Nomine Satanas, a lavish box set featuring deluxe versions of their first four studio albums -- with the classic lineup of Cronos, Mantas, and Abaddon -- and 1986 concert LP Eine Kleine Nachtmusik. ~ James Christopher Monger, Rovi
Venom keeps 18-24 & 25-34 audiences engaged throughout UNITED STATES, BRAZIL, COLOMBIA. The composition is heavily male (83%), which favors creative built around style signals and community validation. Results concentrate on Youtube at 173,477 avg views per post, while Youtube maintains continuity between bigger moments. Overlap with Ampeg, Jim Beam, Capcom supports swift activation in streetwear, music platforms, and lifestyle products. It’s a straight line from influence to impact.
Artist Affinity estimates how strongly an artist's audience overlaps with interest in specific brands, products, and categories. It is derived from aggregated social and behavioral signals—who fans follow, save, click, and engage with—normalized across platforms. Higher affinity suggests better partnership fit and higher likelihood that fans will respond positively to branded content or offers. Use it to shortlist natural brand partners and product concepts that feel authentic to the audience. Combine affinity with Connection Strength (ER) and reach to balance fit with impact. Treat affinity as directional—validate with creative tests and small pilots before scaling.
Audience Demographics & Key Stats
| Metric | Value | Why It Matters |
|---|---|---|
| Social Snapshot |
Followers 21,841 · Engagements 4,083 · Rate 18.7% Posts 17 · Views 173,477 · Avg Likes 3,972 · Avg Comments 131 · Avg Views 173,477 |
Combine reach (followers/views) with ER to size both impact and responsiveness. |
| Age Breakdown |
18-24: 38% 25-34: 34% 35-44: 16% 45-64: 9% |
Largest: 18-24 (38%); next: 25-34 (34%) |
| Gender Split |
Female: 17% Male: 83% Non-binary/Other: 0% |
Skews male (83%) |
| Top Countries |
UNITED STATES (18%) BRAZIL (13%) COLOMBIA (6%) ARGENTINA (5%) CHILE (4%) |
Top regions: UNITED STATES (18%), BRAZIL (13%), COLOMBIA (6%) |
| Platform Engagement | Instagram: 1,344 avg likes/post · Youtube: 173,477 avg views/post | Best reach: Youtube 173,477 avg views; best engagement: Youtube 2,628 avg likes |
Top Brand Affinities
Ampeg
Jim Beam
Capcom
Resident Evil
Jack Daniels
Movistar
Mortal Kombat
Diablo
The Last of Us
Rockstar Games
The Witcher
Pilsner Urquell
| Brand | Category | Score |
|---|---|---|
| Ampeg | 36.90 | |
| Jim Beam | 8.87 | |
| Capcom | 8.67 | |
| Resident Evil | 8.32 | |
| Jack Daniels | 8.13 | |
| Movistar | 7.76 | |
| Mortal Kombat | 7.26 | |
| Diablo | 6.89 | |
| The Last of Us | 6.60 | |
| Rockstar Games | 6.35 | |
| The Witcher | 5.57 | |
| Pilsner Urquell | 5.49 | |
| Hot Topic | 5.28 | |
| Fallout | 5.24 | |
| Sega | 4.66 | |
| Spotify Music | 4.60 | |
| Bethesda Softworks | 4.40 | |
| Power Rangers | 4.39 | |
| Final Fantasy | 4.37 | |
| Harley-Davidson | 3.93 | |
| AMC | 3.74 | |
| Monster Beverage | 3.69 | |
| Comedy Central | 3.68 | |
| Star Wars | 3.63 | |
| Columbia Pictures | 3.50 | |
| Warner Bros | 3.42 | |
| WWE | 3.30 | |
| Nintendo | 3.13 | |
| MTV | 3.08 | |
| Budweiser | 2.97 | |
| Dr. Martens | 2.97 | |
| NHL | 2.84 | |
| Heineken | 2.66 | |
| SoundCloud | 2.64 | |
| Activision Blizzard | 2.49 | |
| Pepsi | 2.45 | |
| Paramount Pictures | 2.43 | |
| Guinness | 2.36 | |
| PlayStation | 2.31 | |
| Vans | 2.18 | |
| DC Entertainment | 2.15 | |
| Nickelodeon | 2.09 | |
| Marvel Entertainment | 2.08 | |
| Chrysler | 2.05 | |
| HBO | 1.99 | |
| Ubisoft | 1.95 | |
| Xbox | 1.94 | |
| Transformers | 1.88 | |
| Universal | 1.79 | |
| Marvel | 1.79 |
Official Profiles
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LoginArtist: Venom
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Top 10 Songs Played Today
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Total Streams (2025-09-05)
Total: 661,359
| PLATFORM | TOTAL | % | |
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475,256 | 71.86% |
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186,103 | 28.14% |
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Concerts
Upcoming events from today (UTC) to the next 6 months.
| Date/Time (UTC) | Event | Venue | Location | Tickets |
|---|---|---|---|---|
| 2026-02-07 04:00 UTC | Venom, FIGHTER V, SNAKEBITE! | Paunchy Cats Club | Lichtenfels, Germany | |
| 2026-02-07 08:00 UTC | Venom, FIGHTER V, SNAKEBITE! | Backstage Club | Munich, Germany |















